The insider's guide to independent film distribution / (Record no. 112337)
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| campo de control de longitud fija | 04201cam a2200337 a 4500 |
| 003 - IDENTIFICADOR DE NÚMERO DE CONTROL | |
| campo de control | BJBSDDR |
| 005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN | |
| campo de control | 20230411090106.0 |
| 007 - CAMPO FIJO DE DESCRIPCIÓN FÍSICA--INFORMACIÓN GENERAL | |
| campo de control de longitud fija | ta |
| 008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL | |
| campo de control de longitud fija | 111209s2012 ne a b 001 0 eng |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO | |
| Número Internacional Estándar del Libro | 9780240817552 |
| 035 ## - NÚMERO DE CONTROL DEL SISTEMA | |
| Número de control de sistema | (OCoLC)ocn768335660 |
| 040 ## - FUENTE DE CATALOGACIÓN | |
| Centro catalogador/agencia de origen | DLC |
| Lengua de catalogación | eng |
| Centro/agencia transcriptor | DLC |
| 041 ## - CÓDIGO DE IDIOMA | |
| Código de lengua del texto/banda sonora o título independiente | spa |
| 042 ## - CÓDIGO DE AUTENTICACIÓN | |
| Código de autenticación | pcc |
| 050 00 - SIGNATURA TOPOGRÁFICA DE LA BIBLIOTECA DEL CONGRESO | |
| Número de clasificación | PN 1995.9 |
| Número de ítem | P252i 2012 |
| 082 00 - NÚMERO DE LA CLASIFICACIÓN DECIMAL DEWEY | |
| Número de clasificación | 384 |
| Número de edición | 23 |
| 100 1# - ENTRADA PRINCIPAL--NOMBRE DE PERSONA | |
| Nombre de persona | Parks, Stacey. |
| 245 14 - MENCIÓN DEL TÍTULO | |
| Título | The insider's guide to independent film distribution / |
| Mención de responsabilidad, etc. | Stacey Parks. |
| 250 ## - MENCION DE EDICION | |
| Mención de edición | 2nd ed. |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. | |
| Lugar de publicación, distribución, etc. | Amsterdam ; |
| -- | Boston : |
| Nombre del editor, distribuidor, etc. | Elsevier/Focal Press, |
| Fecha de publicación, distribución, etc. | 2012. |
| 300 ## - DESCRIPCIÓN FÍSICA | |
| Extensión | xi, 156 p. : |
| Otras características físicas | ill. ; |
| Dimensiones | 23 cm. |
| 504 ## - NOTA DE BIBLIOGRAFÍA, ETC. | |
| Nota de bibliografía, etc. | Includes bibliographical references and index. |
| 505 ## - NOTA DE CONTENIDO CON FORMATO | |
| Nota de contenido con formato | I. IntroductionII. State of the Market: A Reality CheckAdd a brief history of film distributionAdd interview with Dylan Leiner of Sony Pictures Classics (or comparable source) on how the U.S theatrical market has changed over the last 5-10 years.III. Before you start Production: Getting a leg-up on Distributiona. Getting in touch with the market: Doing Market Researchb. The importance of genre and formatc. Casting for distributiond. Financing options - to include domestic and foreign pre-sales, private investors, completing a business plan, etc.Add interview with Packaging agent from William Morris AgencySuggested Exercises: (will add in 3-5 suggested exercises to appeal to academic market)IV. Production Geared Towards Distributiona. Shooting digital vs. Filmb. The importance of stillsc. Starting publicity during production: blogs, production diaries, hiring an PR agent, etc.Interview with Michael Baker, head of Acquisitions and Development for Think FilmSuggested Exercises:V. Post-Production geared Towards Distributiona. M&E Tracksb. Trailersc. Musicd. Third party feedbackAdd short interview/blurbs from buyers and distributors on post-production elements and what they mean in terms of getting distribution.Suggested Exercises:VI. It's in the can, now what: Creating Your Distribution Strategya. Creating a campaignb. Applying to film festivals: what are the first tier, and second tier film festivalsc. Finding Producers Reps and Sales Agentsd. Navigating International Film and TV marketse. Should I have a Distributor screening for my film?Add interviews with Foreign Sales Agents in the UK and FranceSuggested Exercises:VII. Getting a Distribution deala. The U.S Distribution dealb. Foreign Sales and What to Expectc. Non-theatrical distribution and ancillary marketsd. Diagram/Table of expenses required to market and distribute an independent filmAdd in interviews/blurbs with filmmakers who were NOT successful getting distribution and what they would do differently.Suggested Exercises:VIII. Dealing with the Distributor After you get a Deala. Anatomy of a Distribution Contractb. How much will I make: Realistic Sales Projections for your filmc. When will I get paid? Typical cash flow situationsSuggested Exercises:IX. Alternatives to Traditional Distributiona. On Demand DVD distributionb. Video on Demand distributionc. Online film and television marketsd. Platform theatrical releaseInterview with Betsy Chasse 'What the Bleep Do We Know'Suggested Exercises:X. The future of Distribution a. How technology is changing DistributionXI. ConclusionInterview Stephen Winter 'Tarnation'Appendix A: Ten successful indies and what made them successfulAppendix B: Distribution Agency Guide (US and outside US)Appendix C: Anatomy of a Distribution AgreementAppendix D: Sales Projections per Territory |
| 520 ## - RESUMEN, ETC. | |
| Sumario, etc. | Innovation in technology means that almost anyone can make an independent film these days. This manual can help you learn how to sell your movie to a studio, a cable network, a video distributor, or an international buyer. It also looks at self-distribution and other alternatives to traditional distribution. |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA | |
| Término de materia o nombre geográfico como elemento de entrada | Motion pictures |
| Subdivisión general | Marketing. |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA | |
| Término de materia o nombre geográfico como elemento de entrada | Motion pictures |
| Subdivisión general | Distribution. |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA | |
| Término de materia o nombre geográfico como elemento de entrada | Motion pictures |
| Subdivisión general | Production and direction. |
| 906 ## - ELEMENTOS DE DATOS F LOCAL, LDF (RLIN) | |
| a | 7 |
| b | cbc |
| c | orignew |
| d | 1 |
| e | ecip |
| f | 20 |
| g | y-gencatlg |
| 942 ## - ELEMENTOS DE ENTRADA SECUNDARIOS (KOHA) | |
| Fuente del sistema de clasificación o colocación | Clasificación de Library of Congress |
| Tipo de ítem Koha | Libro |
| Estatus retirado | Estado de pérdida | Estado de daño | No para préstamo | Colección | Biblioteca de origen | Biblioteca actual | Ubicación en estantería | Fecha de adquisición | Signatura topográfica completa | Código de barras | Visto por última vez | Copia número | Tipo de ítem Koha |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Humanidades | Biblioteca Juan Bosch | Biblioteca Juan Bosch | Automatización y Procesos Técnicos (1er. Piso) | 01/04/2019 | PN 1995.9 P252i 2012 | 00000126388 | 01/04/2019 | 1 | Libro |