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170725s2023 enk 00| 0 eng d |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
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| Número Internacional Estándar del Libro |
9781350113466 |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
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| Número Internacional Estándar del Libro |
1350113468 |
| 040 ## - FUENTE DE CATALOGACIÓN |
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| Lengua de catalogación |
eng |
| Centro/agencia transcriptor |
DLC |
| 041 ## - CÓDIGO DE IDIOMA |
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| Código de lengua del texto/banda sonora o título independiente |
eng |
| 050 14 - SIGNATURA TOPOGRÁFICA DE LA BIBLIOTECA DEL CONGRESO |
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| Número de clasificación |
PN 1995 |
| Número de ítem |
T443 2023 |
| 245 00 - MENCIÓN DEL TÍTULO |
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| Título |
Thinking film : |
| Resto del título |
philosophy at the movies / |
| Mención de responsabilidad, etc. |
edited by Richard Kearney and M. E. Littlejohn |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. |
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| Lugar de publicación, distribución, etc. |
London : |
| Nombre del editor, distribuidor, etc. |
Bloomsbury Academic, |
| Fecha de publicación, distribución, etc. |
2023. |
| 300 ## - DESCRIPCIÓN FÍSICA |
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| Extensión |
xii, 407 pages : |
| Otras características físicas |
illustrations ; |
| Dimensiones |
24 cm. |
| 504 ## - NOTA DE BIBLIOGRAFÍA, ETC. |
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| Nota de bibliografía, etc. |
Includes bibliographical references and index. |
| 505 0# - NOTA DE CONTENIDO CON FORMATO |
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| Nota de contenido con formato |
Introduction – Richard Kearney and M. E. LittlejohnPart 1. Classic Philosophers on Film1. The Thought of Movies, Stanley Cavell2. On Cinema, Gilles DeleuzePart 2: Thinking on Films3. Film as Philosophy and Cinematic Thinking, Robert Sinnerbrink 4. Theory, Therapy and Classic Hollywood Movies, M.E. Littlejohn5. Missing Mothers/Desiring Daughters: Framing the Sight of Women, Naomi Scheman6. Why is ‘Leap Year’ not a Cavellian Comedy of Remarriage?, Stephen Mulhall7. Film and Television as Forms of Shared Experience, Sandra Laugier 8. What Does it Mean to Have A Cinematic Idea? Deleuze and Kurosawa’s Stray Dog, David Deamer9. The Active Eye (Revisted): Toward a Phenomenology of Cinematic Movement, Vivian Sobchack10. Rethinking Monster Movies: Men In Black, Alien Resurrection and Apocalypse Now, Richard Kearney11. A Plural Transcendence: When Film Does Phenomenology, Anna Westin 12. I Wake up Screaming: Kansas and Beyond, Anthony Steinbock 13. Mediating Fairy Stories in Words and Images: Warring Magics in J.R.R. Tolkien and Peter Jackson’s Lord of the Rings, Stephanie RumpzaPart 3: Thinking with Films 14. On Wim Wender’s Paris, Texas, Richard Kearney15. On Larissa Shepitko’s The Ascent, Fanny Howe16. On Jim Jarmusch’s Paterson, Brian Treanor17. On Sidney Lumet’s Serpico, Sam B. Girgus18. On Antwone Fisher’s Antwone Fisher, Alberto G. Urquidez19. On Hirokazu Kore-eda’s Our Little Sister, Paul Freaney20. On Lars Von Trier’s The House that Jack Built, John Panteleimon Manoussakis 21. On Robert Bresson’s Diary of a Country Priest, J. E. Grefenstette22. On Luchino Visconti’s Death in Venice, Joseph S. O’Leary23. On Andrei Tarkovsky’s Andrei Rublev, Patrick Hederman24. On Krzysztof Kieslowski’s Double Life of Veronique, Joseph Kickasola25. On Quentin Tarantino’s The Hateful 8, Matthew Clemente26. On Wes Anderson’s The Royal Tenenbaums, John Fardy27. On Persichetti, Ramsey, and Rothman’s Spider-man: Into the Spider-verse, Anne M. Carpenter28. On the Dardenne Brothers’ The Young Ahmed, Joel Mayward29. On John Huston’s The Dead, Magnus Ferguson 30. On Terrence Malick’s The Tree of Life, Jason Wirth |
| 520 ## - RESUMEN, ETC. |
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| Sumario, etc. |
"Hailed as one of America's original art forms, film has the distinctive character of crossing high and low art. But film has done more than this. According to American philosopher Stanley Cavell, film was also a place where America in the 1930s and 1940s did its thinking, a tradition that was taken up and enriched throughout world cinema. Can film indeed think? That is, can film do the work of philosophy? Following Cavell's lead to think along the tear of the analytic-continental traditions, this book draws from both sides of the philosophical divide to reflect on this question. Spanning generations and disciplines, pondering everything from art house classics to mainstream blockbusters, Thinking Film: Philosophy at the Movies aims to fling open the doors to this conversation on all sides. Inquiring into both philosophy's word on film and film's word to philosophy, the interdisciplinary dialogue of this book traverses the conceptual and the particular as it considers how film catalyzes our thinking and sets us talking. After viewing the world through film, we find our world--and ourselves--transformed by deeper understanding and new possibilities. This book aims to provide a novel and engaging way in to thinking with and about this enduringly popular art form."-- Publisher's description<br/> |
| 650 #4 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
Cine |
| Subdivisión general |
Filosofía |
| 9 (RLIN) |
1856 |
| 650 #4 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
Filosofía del cine |
| 9 (RLIN) |
14785 |
| 700 1# - ENTRADA AGREGADA--NOMBRE PERSONAL |
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| Nombre de persona |
Kearney, Richard, |
| Fechas asociadas al nombre |
1954- |
| 9 (RLIN) |
43454 |
| Término indicativo de función/relación |
editor |
| 700 1# - ENTRADA AGREGADA--NOMBRE PERSONAL |
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| Nombre de persona |
Littlejohn, M. E. |
| Forma completa/desarrollada del nombre |
(Murray E.) |
| 9 (RLIN) |
43455 |
| Término indicativo de función/relación |
editor |
| 942 ## - ELEMENTOS DE ENTRADA SECUNDARIOS (KOHA) |
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| Fuente del sistema de clasificación o colocación |
Clasificación de Library of Congress |
| Tipo de ítem Koha |
Libro |
| 946 ## - PROCESAMIENTO DE INFORMACIÓN LOCAL (OCLC) |
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| Iniciales del agente catalogador |
dpf |
