The judgment of Paris : (Record no. 127056)

MARC details
000 -LEADER
campo de control de longitud fija 04112nam a22002417a 4500
003 - IDENTIFICADOR DE NÚMERO DE CONTROL
campo de control BJBSDDR
005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN
campo de control 20260512101750.0
007 - CAMPO FIJO DE DESCRIPCIÓN FÍSICA--INFORMACIÓN GENERAL
campo de control de longitud fija ta
008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL
campo de control de longitud fija 260512s2006 nyu||||| |||| 00| 0 eng d
020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO
Número Internacional Estándar del Libro 9780802714664
020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO
Número Internacional Estándar del Libro 0802714668
040 ## - FUENTE DE CATALOGACIÓN
Lengua de catalogación spa
Centro/agencia transcriptor BJBSDDR
041 ## - CÓDIGO DE IDIOMA
Código de lengua del texto/banda sonora o título independiente eng
050 ## - SIGNATURA TOPOGRÁFICA DE LA BIBLIOTECA DEL CONGRESO
Número de ítem K54j 2006
100 ## - ENTRADA PRINCIPAL--NOMBRE DE PERSONA
Nombre de persona King, Ross.
Fechas asociadas al nombre 1952-
9 (RLIN) 12047
245 14 - MENCIÓN DEL TÍTULO
Título The judgment of Paris :
Resto del título the revolutionary decade that gave the world Impressionism /
Mención de responsabilidad, etc. Ross King
260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC.
Lugar de publicación, distribución, etc. New York :
Nombre del editor, distribuidor, etc. Walker & Co. : Distributed to the trade by Holtzbrinck,
Fecha de publicación, distribución, etc. 2006
300 ## - DESCRIPCIÓN FÍSICA
Extensión xiii, 448 pages :
Otras características físicas illustrations ;
Dimensiones 25 cm
505 ## - NOTA DE CONTENIDO CON FORMATO
Nota de contenido con formato <br/>Chez Meissonier<br/>Modern life<br/>The lure of perfection<br/>Mademoiselle V<br/>Dreams of genius<br/>Youthful daring<br/>A baffling maze of canvas<br/>The Salon of Venus<br/>The tempest of fools<br/>Famous victories<br/>Young France<br/>Deliberations<br/>Room M<br/>Plein air<br/>A beastly slop<br/>The apostle of ugliness<br/>Maître Velázquez<br/>The jury of assassins<br/>Monet or Manet?<br/>A flash of swords<br/>Marvels, wonders and miracles<br/>Funeral for a friend<br/>Maneuvers<br/>A salon of newcomers<br/>Au bord de la mer<br/>Mademoiselle Berthe<br/>Flying gallops<br/>The wild boar of the Batignolles<br/>Vaulting ambitions<br/>The Prussian terror<br/>The last days of Paris<br/>A carnival of blood<br/>Days of hardship<br/>The apples of discord<br/>A ring of gold<br/>Pure Haarlem beer<br/>Beyond perfection<br/>The liberation of Paris<br/>Epilogue: finishing touches<br/>Political timeline
520 ## - RESUMEN, ETC.
Sumario, etc. The fascinating new book by the author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling: a saga of artistic rivalry and cultural upheaval in the decade leading to the birth of Impressionism.<br/><br/>If there were two men who were absolutely central to artistic life in France in the second half of the nineteenth century, they were Edouard Manet and Ernest Meissonier. While the former has been labelled the “Father of Impressionism” and is today a household name, the latter has sunk into obscurity. It is difficult now to believe that in 1864, when this story begins, it was Meissonier who was considered the greatest French artist alive and who received astronomical sums for his work, while Manet was derided for his messy paintings of ordinary people and had great difficulty getting any of his work accepted at the all-important annual Paris Salon.<br/><br/>Manet and Meissonier were the Mozart and Salieri of their day, one a dangerous challenge to the establishment, the other beloved by rulers and the public alike for his painstakingly meticulous oil paintings of historical subjects. Out of the fascinating story of their parallel careers, Ross King creates a lens through which to view the political tensions that dogged Louis-Napoleon during the Second Empire, his ignominious downfall, and the bloody Paris Commune of 1871. At the same time, King paints a wonderfully detailed and vivid portrait of life in an era of radical social change: on the streets of Paris, at the new seaside resorts of Boulogne and Trouville, and at the race courses and picnic spots where the new bourgeoisie relaxed. When Manet painted Dejeuner sur l’herbe or Olympia, he shocked not only with his casual brushstrokes (described by some as applied by a ‘floor mop’) but with his subject matter: top-hatted white-collar workers (and their mistresses) were not considered suitable subjects for ‘Art’. Ross King shows how, benign as they might seem today, these paintings changed the course of history. The struggle between Meissonier and Manet to see their paintings achieve pride of place at the Salon was not just about artistic competitiveness, it was about how to see the world.<br/><br/>Full of fantastic tidbits of information (such as the use of carrier pigeons and hot-air balloons during the siege of Paris), and a colourful cast of characters that includes Baudelaire, Courbet, and Zola, with walk-on parts for Monet, Renoir, Degas, and Cezanne, The Judgment of Paris casts new light on the birth of Impressionism and takes us to the heart of a time in which the modern French identity was being forged.<br/><br/>
942 ## - ELEMENTOS DE ENTRADA SECUNDARIOS (KOHA)
Fuente del sistema de clasificación o colocación Clasificación de Library of Congress
Suprimir en OPAC No
Tipo de ítem Koha Libro
946 ## - PROCESAMIENTO DE INFORMACIÓN LOCAL (OCLC)
Iniciales del agente catalogador cmc
Holdings
Estatus retirado Estado de pérdida Fuente del sistema de clasificación o colocación Estado de daño No para préstamo Colección Biblioteca de origen Biblioteca actual Ubicación en estantería Fecha de adquisición Signatura topográfica completa Código de barras Visto por última vez Copia número Tipo de ítem Koha
    Clasificación de Library of Congress     Automatización y Procesos Técnicos Biblioteca Juan Bosch Biblioteca Juan Bosch Automatización y Procesos Técnicos (1er. Piso) 12/05/2026 K54j 2006 00000199787 12/05/2026 1 Libro