MARC details
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| 003 - IDENTIFICADOR DE NÚMERO DE CONTROL |
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BJBSDDR |
| 005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN |
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20230410130644.0 |
| 007 - CAMPO FIJO DE DESCRIPCIÓN FÍSICA--INFORMACIÓN GENERAL |
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| 008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL |
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111021s2014 nyua bq 001 0 eng |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
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| Número Internacional Estándar del Libro |
9780307474988 |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
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| Número Internacional Estándar del Libro |
0307273474 (hbk.) |
| 035 ## - NÚMERO DE CONTROL DEL SISTEMA |
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| Número de control de sistema |
17015200 |
| 035 ## - NÚMERO DE CONTROL DEL SISTEMA |
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| Número de control de sistema |
(OCoLC)ocn745979754 |
| 040 ## - FUENTE DE CATALOGACIÓN |
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| Centro catalogador/agencia de origen |
DLC |
| Lengua de catalogación |
eng |
| Centro/agencia transcriptor |
DLC |
| 041 ## - CÓDIGO DE IDIOMA |
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| Código de lengua del texto/banda sonora o título independiente |
spa |
| 042 ## - CÓDIGO DE AUTENTICACIÓN |
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| Código de autenticación |
pcc |
| 043 ## - CÓDIGO DE ÁREA GEOGRÁFICA |
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| Código de área geográfica |
n-us--- |
| 050 14 - SIGNATURA TOPOGRÁFICA DE LA BIBLIOTECA DEL CONGRESO |
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| Número de clasificación |
PN 1998.2 |
| Número de ítem |
C766 2014 |
| 082 00 - NÚMERO DE LA CLASIFICACIÓN DECIMAL DEWEY |
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| Número de clasificación |
791.430232092 |
| 245 00 - MENCIÓN DEL TÍTULO |
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| Título |
Conversations at the American Film Institute with the great moviemakers : |
| Resto del título |
the next generation / |
| Mención de responsabilidad, etc. |
[edited and with an introduction by] George Stevens, Jr. |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. |
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| Lugar de publicación, distribución, etc. |
New York : |
| Nombre del editor, distribuidor, etc. |
Vintage Books, |
| Fecha de publicación, distribución, etc. |
2014 |
| 300 ## - DESCRIPCIÓN FÍSICA |
|---|
| Extensión |
xxiii, 737 p. : |
| Otras características físicas |
ill. ; |
| Dimensiones |
24 cm. |
| 505 ## - NOTA DE CONTENIDO CON FORMATO |
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| Nota de contenido con formato |
Preface / Bob Gazzale -- Introduction / George Stevens, Jr. -- Robert Altman -- Darren Aronofsky -- Peter Bogdanovich -- Charles Champlin -- Shirley Clarke -- Anne Coates -- Roger Corman -- Ed Emshwiller -- Nora Ephron -- Morgan Freeman -- William Friedkin -- Larry Gelbart -- Charlton Heston -- Janusz Kaminski -- Jack Lemmon -- George Lucas -- David Lynch -- James Mangold -- Alan Pakula -- Gregory Peck -- Arthur Penn -- Sidney Poitier -- Sydney Pollack -- David Puttnam -- Leonard Rosenman -- John Sayles -- Paul Schrader -- Neil Simon -- Steven Spielberg -- Meryl Streep -- Robert Towne -- François Truffaut. |
| 520 ## - RESUMEN, ETC. |
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| Sumario, etc. |
A companion volume to George Stevens, Jr.'s, much admired book of American Film Institute seminars with the great pioneering moviemakers ("Invaluable"--Martin Scorsese). Those represented here--directors, producers, writers, actors, cameramen, composers, editors--are men and women working in pictures, beginning in 1950, when the studio system was collapsing and people could no longer depend on, or were bound by, the structure of studio life to make movies. Here also are those who began to work long after the studio days were over--Robert Altman, David Lynch, Steven Spielberg, among them--who talk about how they came to make movies on their own. Some--like Peter Bogdanovich, Nora Ephron, Sydney Pollack, François Truffaut--talk about how they were influenced by the iconic pictures of the great pioneer filmmakers. Others talk about how they set out to forge their own paths--John Sayles, Roger Corman, George Lucas, et al. In this series of conversations held at the American Film Institute, all aspects of their work are discussed. Here is Arthur Penn, who began in the early 1950s in New York with live TV, directing people like Kim Stanley and such live shows as Playhouse 90, and on Broadway, directing Two for the Seesaw and The Miracle Worker, before going on to Hollywood and directing Mickey One and Bonnie and Clyde, among other pictures, talking about working within the system. ("When we finished Bonnie and Clyde," says Penn, "the film was characterized rather elegantly by one of the leading Warner executives as a 'piece of shit' ... It wasn't until the picture had an identity and a life of its own that the studio acknowledged it was a legitimate child of the Warner Bros. operation.") Here in conversation is Sidney Poitier, who grew up on an island without paved roads, stores, or telephones, and who was later taught English without a Caribbean accent by a Jewish waiter, talking about working as a janitor at the American Negro Theater in exchange for acting lessons and about Hollywood: It "never really had much of a conscience ... This town never was infected by that kind of goodness." Here, too, is Meryl Streep, America's premier actress, who began her career in Julia in 1977, and thirty odd years later, at sixty, was staring in The Iron Lady, defying all the rules about "term limits" and a filmmaking climate tyrannized by the male adolescent demographic ... Streep on making her first picture, and how Jane Fonda took her under her wing ("That little line on the floor," Fonda warned Streep, "don't look at it, that's where your toes are supposed to be. And that's how you'll be in the movie. If they're not there, you won't be in the movie"). Streep on the characters she chooses to play: "I like to defend characters that would otherwise be misconstrued or misunderstood." The Next Generation is a fascinating revelation of the art of making pictures. Collects American Film Institute conversations with filmmakers from the 1950s to today, including Steven Spielberg, Nora Ephron, and George Lucas. |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
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| Término de materia o nombre geográfico como elemento de entrada |
Actores y actrices de cine |
| Subdivisión geográfica |
Estados Unidos |
| Subdivisión de forma |
Entrevistas |
| 9 (RLIN) |
914 |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
Cine |
| Subdivisión general |
Producción y dirección |
| 9 (RLIN) |
100 |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
Motion picture producers and directors |
| Subdivisión geográfica |
United States |
| Subdivisión de forma |
Interviews. |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
Motion pictures |
| Subdivisión general |
Production and direction. |
| 700 1# - ENTRADA AGREGADA--NOMBRE PERSONAL |
|---|
| Nombre de persona |
Stevens, George, |
| Títulos y otros términos asociados al nombre |
Jr., |
| Fechas asociadas al nombre |
1932- |
| 9 (RLIN) |
1128 |
| 710 2# - ENTRADA AGREGADA--NOMBRE DE ENTIDAD CORPORATIVA |
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| Nombre de entidad corporativa o nombre de jurisdicción como elemento de entrada |
American Film Institute. |
| 9 (RLIN) |
1129 |
| 942 ## - ELEMENTOS DE ENTRADA SECUNDARIOS (KOHA) |
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| Fuente del sistema de clasificación o colocación |
Clasificación de Library of Congress |
| Tipo de ítem Koha |
Libro |
