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The SAGE handbook of film studies / edited by James Donald and Michael Renov.

Contributor(s): Material type: TextTextLanguage: English Publication details: London ; Thousand Oaks, Calif. : SAGE, 2008.Description: xiii, 522 pages : illustrations ; 26 cmISBN:
  • 9780761943266 (hbk.)
Other title:
  • Handbook of film studies
Subject(s): DDC classification:
  • 791.4307 22
LOC classification:
  • PN 1993.5  S129 2008
Online resources: Summary: Written by a team of veteran scholars and exciting emerging talents, The SAGE Handbook of Film Studies maps the field internationally, drawing out regional differences in the way that systematic intellectual reflection on cinema and film has been translated into an academic discipline. It examines the conversations between Film Studies and its contributory disciplines that not only defined a new field of discourse but also modified existing scholarly traditions. It reflects on the field's dominant paradigms and debates and evaluates their continuing salience. Finally, it looks forward optimistically to the future of the medium of film, the institution of cinema and the discipline of Film Studies at a time when the very existence of film and cinema are being called into question by new technological, industrial and aesthetic developments.
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Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 1993.5 S129 2008 (Browse shelf(Opens below)) 1 Available 00000122400

Includes bibliographical references and index.

Written by a team of veteran scholars and exciting emerging talents, The SAGE Handbook of Film Studies maps the field internationally, drawing out regional differences in the way that systematic intellectual reflection on cinema and film has been translated into an academic discipline. It examines the conversations between Film Studies and its contributory disciplines that not only defined a new field of discourse but also modified existing scholarly traditions. It reflects on the field's dominant paradigms and debates and evaluates their continuing salience. Finally, it looks forward optimistically to the future of the medium of film, the institution of cinema and the discipline of Film Studies at a time when the very existence of film and cinema are being called into question by new technological, industrial and aesthetic developments.

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