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The film factory : Russian and Soviet cinema in documents 1896-1939 / edited and translated by Richard Taylor ; co-edited with an introduction by Ian Christie.

Contributor(s): Material type: TextTextLanguage: English Publication details: London ; New York : Routledge, 1994.Description: xxii, 457 pages : illustrations ; 25 cmISBN:
  • 041505298X (pbk)
  • 9780415052986 (pbk)
Subject(s): DDC classification:
  • 791.43/0947
LOC classification:
  • PN 1993.5 F487 1994
Online resources: Summary: The Film Factory provides a comprehensive documentary history of Russian and Soviet cinema. It provokes a major reassessment of conventional Western understanding of Soviet cinema. Based on extensive research and in original translation, the documents selected illustrate both the aesthetic and political development of Russian and Soviet cinema, from its beginnings as a fairground novelty in 1896 to its emergence as a mass medium of entertainment and propaganda on the eve of World War II. -- publisher description
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Item type Current library Home library Collection Shelving location Call number Copy number Status Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 1993.5 F487 1994 (Browse shelf(Opens below)) 1 Available 00000191508
Browsing Biblioteca Juan Bosch shelves, Shelving location: Humanidades (4to. Piso), Collection: Humanidades Close shelf browser (Hides shelf browser)
PN 1993.5 F317f 1974 Film and the narrative tradition / PN 1993.5 F465c 2009 Atlas ilustrado del cine español / PN 1993.5 F469 2015 Fifty Hollywood directors / PN 1993.5 F487 1994 The film factory : Russian and Soviet cinema in documents 1896-1939 / PN 1993.5 F487 2008 Film : a world history / PN 1993.5 F487 2011 Film in the Middle East and North Africa : creative dissidence / PN 1993.5 F512h 1988 The Hollywood story /

Originally published: Cambridge, Mass. : Harvard University Press, 1988

Includes bibliographical references (pages 407-422) and index.

The Film Factory provides a comprehensive documentary history of Russian and Soviet cinema. It provokes a major reassessment of conventional Western understanding of Soviet cinema. Based on extensive research and in original translation, the documents selected illustrate both the aesthetic and political development of Russian and Soviet cinema, from its beginnings as a fairground novelty in 1896 to its emergence as a mass medium of entertainment and propaganda on the eve of World War II. -- publisher description

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