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How fiction works / James Wood

By: Material type: TextTextLanguage: English Publication details: New York, N.Y. : Picador, 2018Edition: Tenth Anniversary Edition, Updated and Expanded. Second Picador editionDescription: xxxi, 269 pages ; 19 cmISBN:
  • 9781250183927
  • 1250183928
Subject(s): LOC classification:
  • PN 3355 W876h 2018
Contents:
Narrating Flaubert and modern narrative Flaubert and the rise of the flaneur Detail Character A brief history of consciousness Form Sympathy and complexity Language Dialogue Truth, convention, realism
Summary: The 10th anniversary edition of the canonical How Fiction Works will include a new introduction and writers Mr. Woods has discussed between 2006 and 2017. These include Alejandro Zambra, Lydia Davis, Karl Ove Knausgaard, Elena Ferrante, and Teju Cole. In turn, the expanded edition will become more international and diverse, featuring more women and non-white writers. An additional chapter will be added on form/plot, which was a topic not discussed in the original publication. Finally, in response to the book being seen as a manifesto for literary realism, James Wood will be modifying his arguments to explore--rather than defend--the question of realism in the novel
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Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 3355 W876h 2018 (Browse shelf(Opens below)) 1 Available 00000194907

Includes bibliographical references and index.

Narrating
Flaubert and modern narrative
Flaubert and the rise of the flaneur
Detail
Character
A brief history of consciousness
Form
Sympathy and complexity
Language
Dialogue
Truth, convention, realism

The 10th anniversary edition of the canonical How Fiction Works will include a new introduction and writers Mr. Woods has discussed between 2006 and 2017. These include Alejandro Zambra, Lydia Davis, Karl Ove Knausgaard, Elena Ferrante, and Teju Cole. In turn, the expanded edition will become more international and diverse, featuring more women and non-white writers. An additional chapter will be added on form/plot, which was a topic not discussed in the original publication. Finally, in response to the book being seen as a manifesto for literary realism, James Wood will be modifying his arguments to explore--rather than defend--the question of realism in the novel

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