Something like an autobiography / Akira Kurosawa ; translated by Audie E. Bock.
Material type:
TextLanguage: English, Japanese Publication details: New York : Vintage Books, 1983, c1982.Edition: 1st Vintage Books edDescription: xiii, 205 pages, [8] p. of plates : illustrations ; 21 cmContent type: - text
- unmediated
- volume
- 0394714393 (pbk.) :
- 9780394714394
- Gama no abura. English
- 791.43/0233/0924 B 19
- PN1998.A3 K789413 1983
| Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Barcode | |
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Automatización y Procesos Técnicos | Automatización y Procesos Técnicos (1er. Piso) | PN1998.A3 K789413 1983 (Browse shelf(Opens below)) | 1 | Available | 00000193972 |
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| PN 1996 M152v 2003 24 palabras por segundo : cómo escribir un guión de cine / | PN1996 .R94 2005 I could've written a better movie than that! : how to make six figures as a script consultant even if you're not a screenwriter / | PN 1996 W256c 1997 Composición de la imagen en cine y televisión / | PN1998.A3 K789413 1983 Something like an autobiography / | PN1998.3.B86 H565 2015 Luis Buñuel en su archivo : de Los olvidados a Viridiana / | PN2287.A53 L425 1992 Woody Allen : a biography / | PN2287.F56 B747 2011 Jane Fonda : the private life of a public woman / |
Translation of: Gama no abura.
Includes index.
Something Like an Autobiography is the memoir of legendary Japanese filmmaker Akira Kurosawa, covering his life from childhood up until the release of his breakthrough film Rashomon in 1950.
Written in a candid, often poetic style, the book provides deep insight into Kurosawa's early years—his family background, education, and the social upheavals of post-Meiji Japan. He discusses his early interest in painting, the impact of the Great Kanto Earthquake, and how these experiences shaped his worldview and artistic sensibilities.
Kurosawa offers behind-the-scenes reflections on how he entered the film industry, the evolution of his directing style, and his collaborations with key figures like actor Toshiro Mifune and other members of his creative team. He also shares his admiration for foreign and Japanese cinema, and his thoughts on the artistic and ethical responsibilities of a filmmaker.
Though the book ends just as Kurosawa gains international recognition with Rashomon, it serves as a powerful portrait of the artist as a young man—curious, disciplined, humble, and passionate about storytelling.
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