Ripped : how the wired generation revolutionized music / Greg Kot.
Material type:
TextLanguage: Eng Publication details: New York : Scribner, 2010.Edition: 1st Scribner trade pbk. edDescription: xi, 268 p. ; 21 cmISBN: - 9781416547310 (pbk.)
- 1416547312
- 780285/46 22
- ML74.7 .K68 2010
| Item type | Current library | Home library | Collection | Shelving location | Call number | Vol info | Copy number | Status | Barcode | |
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | ML74.7 .K68 2010 (Browse shelf(Opens below)) | 4 | 1 | Available | 00000111787 |
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| ML 74.4 K29i 2007 The iPod book : doing cool stuff with the iPod and the iTunes store / | ML 74.4 K29i 2008 The iPod book : doing cool stuff with the iPod and the iTunes store / | ML 74.4 S839m 2012 MP3 : the meaning of a format / | ML74.7 .K68 2010 Ripped : how the wired generation revolutionized music / | ML 82 H847 2024 How women made music : a revolutionary history from NPR Music / | ML 96.4 G745m 2002 Móviles / | ML100 .B54 2000 The Billboard illustrated encyclopedia of classical music / |
Includes index.
"Now with a new afterword"--Cover.
Introduction : chaos and transformation -- Consolidated to death -- Payola blues -- Napster vs. Metallica -- Customers or criminals? -- Is Prince nuts? -- "Do not insult Death Cab" -- Conor Oberst : "He was thirteen and kicking our asses" -- "Screw the record companies, screw MTV, just go out and play" -- Everyone's a critic -- Arcade Fire : chocolate fountains everywhere -- Innovation out of necessity -- Girl Talk's illegal art -- Future shock from wham city -- "George Bush doesn't like Black people" -- A new boss, same as the old boss -- Steve Jobs and the iPod "burglary kit" -- "The feedback loop of creativity" -- "I love picking fights" -- "It's up to you" -- "Steal, steal, and steal some more".
"Ripped" tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators.
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