What art is / Arthur C. Danto.
Material type:
TextPublisher: New Haven : Yale University Press, 2013Description: xii, 174 p. ; 21 cmContent type: - text
- unmediated
- volume
- 9780300174878 (hard cover : alk. paper)
- 9780300205718
- 700.1
- N 66 D194w 2013
| Item type | Current library | Home library | Collection | Shelving location | Call number | Vol info | Copy number | Status | Barcode | |
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | N 66 D194w 2013 (Browse shelf(Opens below)) | 1 | 1 | Available | 00000112757 |
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| N 40 .S774 1997 St. James guide to Black artists / | N40 Z94 2017 Heidi Zuckerman : conversations with artists / | N 64 L639l 1946 Laocoonte: o sobre los límites de la pintura y de la poesía, seguidas de las cartas sobre la literatura moderna y sobre el arte antiguo / | N 66 D194w 2013 What art is / | N 66 K66c 1975 La configuración del tiempo / | N67 D288v 1992 Vie et mort de l'image : une histoire du regard en Occident / | N 67 D654a 2007 L' art comme communication : pour une re-definition de l'art |
Includes bibliographical references (pages 157-159) and index.
Wakeful dreams -- Restoration and meaning -- The body in philosophy and art -- The end of the contest: the paragone between painting and photography -- Kant and the work of art -- The future of aesthetics.
"What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, What Art Is challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the viewer: interpretation. Danto crafts his argument in an accessible manner that engages with both philosophy and art across genres and eras, beginning with Plato's definition of art in The Republic, and continuing through the progress of art as a series of discoveries, including such innovations as perspective, chiaroscuro, and physiognomy. Danto concludes with a fascinating discussion of Andy Warhol's famous shipping cartons, which are visually indistinguishable from the everyday objects they represent. Throughout, Danto considers the contributions of philosophers including Descartes, Kant, and Hegel, and artists from Michelangelo and Poussin to Duchamp and Warhol, in this far-reaching examination of the interconnectivity and universality of aesthetic production."--Publisher's website.
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