Film theory : an introduction / Robert Lapsley and Michael Westlake.

By:

Lapsley, Robert

Contributor(s):

Westlake, Michael

Material type: Text

TextPublication details: Manchester, UK : Manchester University Press ; New York : Distributed exclusively in the USA and Canada by St. Martin's Press, 2006Edition: 2nd edDescription: xvi, 317 p. : 1 ill. ; 23 cmISBN:

0719073758
9780719073755

Subject(s):

DDC classification:

791.43

LOC classification:

PN 1994 L317f 2006

Contents:

1. Politics -- 2. Semiotics -- 3. Psychoanalysis -- 4. Authorship -- 5. Narrative -- 6. Realism -- 7. The avant-garde -- Film theory : a retrospect.

Summary: "Film theory: an introduction offers a highly readable account of film theory and is an indispensable resource for students. The discussion ranges from the late 1960s to the present, a period in which a number of conceptual strands, notably politics, semiotics and psychoanalysis were woven together in an ambitious synthesis."--Jacket.

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Holdings
Item type	Current library	Home library	Collection	Shelving location	Call number	Vol info	Copy number	Status	Barcode
Libro	Biblioteca Juan Bosch	Biblioteca Juan Bosch	Humanidades	Humanidades (4to. Piso)	PN 1994 L317f 2006 (Browse shelf(Opens below))	1	1	Available	00000114870

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Previous	PN 1994 L253c 2016 101 cosas que aprendí en la Escuela de Cine /	PN 1994 L253o 2010 101 things I learned in film school /	PN 1994 L317f 1988 Film theory : an introduction /	PN 1994 L317f 2006 Film theory : an introduction /	PN 1994 L381g 2020 Grandes personalidades del séptimo arte : el abecé del cine de autor /	PN 1994 L749a 2000 The art of the moving picture /	PN 1994 L764e 2011 L'écran global : du cinéma au smartphone /	Next

Incluye referencias bibliográficas (p. [278]-307) e índice.

1. Politics -- 2. Semiotics -- 3. Psychoanalysis -- 4. Authorship -- 5. Narrative -- 6. Realism -- 7. The avant-garde -- Film theory : a retrospect.

"Film theory: an introduction offers a highly readable account of film theory and is an indispensable resource for students. The discussion ranges from the late 1960s to the present, a period in which a number of conceptual strands, notably politics, semiotics and psychoanalysis were woven together in an ambitious synthesis."--Jacket.

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