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Film : an introduction / William H. Phillips.

By: Material type: TextTextLanguage: English Analytics: Show analyticsPublication details: Boston : Bedford/St. Martin's, 1999.Description: xxi, 599 pages : illustrations (some color) ; 24 cmISBN:
  • 0312178182 (pbk. : acid-free paper)
  • 9780312178185 (pbk. : acid-free paper)
Subject(s): DDC classification:
  • 791.43
LOC classification:
  • PN 1994 P564f 1999
Contents:
The expressiveness of film techniques Mise en scene Cinematography Editing Sound Types of films Sources for fictional films Types of fictional films Characteristics of fictional films Alternatives to live-action fictional films Responses to films Understanding films through contexts Viewer and film Analysis and synthesis: The player Appendices Studying films: reading, thinking, researching, and writing A chronology: film in context, 1895-1998 How to read film credits
Summary: This clear, well illustrated text takes the reader through the basics of film analysis, drawing on a wide range of film for discussion. Questions of genre and the contexts and meanings of film are considered.
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Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 1994 P564f 1999 (Browse shelf(Opens below)) 1 Available 00000096664

Includes bibliographical references and index.

The expressiveness of film techniques
Mise en scene
Cinematography
Editing
Sound
Types of films
Sources for fictional films
Types of fictional films
Characteristics of fictional films
Alternatives to live-action fictional films
Responses to films
Understanding films through contexts
Viewer and film
Analysis and synthesis: The player
Appendices
Studying films: reading, thinking, researching, and writing
A chronology: film in context, 1895-1998
How to read film credits

This clear, well illustrated text takes the reader through the basics of film analysis, drawing on a wide range of film for discussion. Questions of genre and the contexts and meanings of film are considered.

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