Sound technology and the American cinema : perception, representation, modernity / James Lastra.
Material type:
TextLanguage: English Series: Film and culture seriesPublication details: New York : Columbia University Press, c2000.Description: x, 270 pages ; 23 cmISBN: - 9780231115179 (paper : alk. paper)
- 0231115172 (paper : alk. paper)
- 0231115164 (cloth : alk. paper)
- 9780231115162 (cloth : alk. paper)
- 791.43/09
- PN 1995.7 L349s 2000
| Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Barcode | |
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PN 1995.7 L349s 2000 (Browse shelf(Opens below)) | 1 | Available | 00000120680 |
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| PN 1995.7 C539s 2019 El sonido : oír, escuchar, observar / | PN 1995.7 C837s 2008 O som no cinema brasileiro / | PN 1995.7 C874g 1997 The goodfather Book / | PN 1995.7 L349s 2000 Sound technology and the American cinema : perception, representation, modernity / | PN 1995.7 L799s 1994 Sound-on-film : interviews with creators of film sound / | PN 1995.7 M973i 2001 In the blink of an eye : a perspective on film editing / | PN 1995.7 M987 2005 Música para cine / |
Includes bibliographical references (p. [223]-263) and index.
1. Inscriptions and Simulations: The Imagination of Technology 2. Performance, Inscription, Diegesis: The Technological Transformation of Representational Causality 3. Everything But the Kitchen Sync: Sound and Image Before the Talkies 4. Sound Theory 5. Standards and Practices: Aesthetic Norm and Technological Innovation in the American Cinema 6. Sound Space and Classical Narrative
Representational technologies including photography, phonography, and the cinema have helped define modernity itself. James Lastra argues that these technologies allow us to track the links between capital, science, and cultural practices.
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