Postwall German cinema : history, film history and cinephilia / Mattias Frey.
Material type:
TextSeries: Film Europa: German cinema in an international contextPublisher: New York : Berghahn Books, 2013Edition: First editionDescription: x, 206 p. : ill. ; 24 cmISBN: - 9780857459473 (hbk.)
- 9781782389026
- 791.43
- PN 1995.9.G45 F893p 2013
| Item type | Current library | Home library | Collection | Shelving location | Call number | Vol info | Status | Barcode | |
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Biblioteca Juan Bosch | Biblioteca Juan Bosch | Humanidades | Humanidades (4to. Piso) | PN 1995.9.G45 F893p 2013 (Browse shelf(Opens below)) | 3 | Available | 00000117571 |
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| PN 1995.9 G373 2008 German postwar films : life and love in the ruins / | PN 1995.9 G394 1992 Getting started in film / | PN 1995.9 G395f 2000 Film production theory / | PN 1995.9.G45 F893p 2013 Postwall German cinema : history, film history and cinephilia / | PN 1995.9 G458d 2013 El documental interactivo/ Evolución, caracterización y perspectivas de desarrollo | PN 1995.9 G459h 2005 Here's looking at you : Hollywood, film & politics / | PN 1995.9 G477p 2005 The portable film school : everything you'd learn in film school (without ever going to class) / |
Includes filmography.
Includes bibliographical references (pages 179-199) and index.
Introduction -- Rebirth of a nation: Das Wunder von Bern, the 1950s, and the reactions to the new German cinema -- Pop retro-vision: Baader, Der Baader Meinhof Komplex, and the RAF film -- The ambivalent view: 23, historical paranoia, and the 1980s -- "Ostalgie," historical ownership, and material authenticity: Good bye, Lenin! and Das Leben der Anderen -- Unification, spatial anxiety, and the recuperation of material culture: Die unberhrbare -- The future of the German past.
With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in postwall Germany. Challenging previous paradigms, it takes account of a postwall cinema of retro-flection as a complex engagement with various historiographical forms and, above all, with film history itself.
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