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The birth of a nation / Paul McEwan; British Film Institute.

By: Material type: TextTextSeries: BFI film classicsPublication details: London : Palgrave on behalf of the British Film Institute, 2015.Description: 101 p. : ill. ; 19 cmISBN:
  • 9781844576579
  • 1844576574
Subject(s): DDC classification:
  • 791.437
LOC classification:
  • PN 1997 M478b 2015
Contents:
Introduction : 'True as that blade' -- The film -- The legacy.
Summary: WorldCat Resumen: "Portraying the Ku Klux Klan as heroic underdogs, silent epic The Birth of a Nation (1915) is widely considered to be the most controversial film of all time. At once one of US culture's greatest artistic achievements and one of its most abhorrently racist artefacts, it becomes more shocking with every passing year. Comprising a decade of archival research and published on the 100th anniversary of the film's release, this richly detailed study considers both the film's afterlife and the artistic, industrial and moral surroundings in which it was created. Drawing on an unbroken century of production and reception history, Paul McEwan recounts the film's origins and development, Griffith's unique editing and cinematography and the construction of racial identity and fear in the film. Assessing its contribution as an art form, while directly grappling with the complexity of the art-or-racism debate, Paul McEwan shows how The Birth of a Nation has had a central role in the development of film and Film Studies worldwide."--Page [4] of cover.
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Holdings
Item type Current library Home library Collection Shelving location Call number Vol info Copy number Status Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 1997 M478b 2015 (Browse shelf(Opens below)) 1 1 Available 00000114881

Introduction : 'True as that blade' -- The film -- The legacy.

WorldCat Resumen: "Portraying the Ku Klux Klan as heroic underdogs, silent epic The Birth of a Nation (1915) is widely considered to be the most controversial film of all time. At once one of US culture's greatest artistic achievements and one of its most abhorrently racist artefacts, it becomes more shocking with every passing year. Comprising a decade of archival research and published on the 100th anniversary of the film's release, this richly detailed study considers both the film's afterlife and the artistic, industrial and moral surroundings in which it was created. Drawing on an unbroken century of production and reception history, Paul McEwan recounts the film's origins and development, Griffith's unique editing and cinematography and the construction of racial identity and fear in the film. Assessing its contribution as an art form, while directly grappling with the complexity of the art-or-racism debate, Paul McEwan shows how The Birth of a Nation has had a central role in the development of film and Film Studies worldwide."--Page [4] of cover.

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