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Film narratology / Peter Verstraten ; translated by Stefan van der Lecq.

By: Contributor(s): Material type: TextTextLanguage: English Original language: Dutch Publication details: Toronto : University of Toronto Press, c2009.Description: vi, 259 p. : ill., ports. ; 24 cmISBN:
  • 9780802093516 (bound)
  • 0802093515 (bound)
  • 9780802095053 (pbk.)
  • 0802095054 (pbk.)
Uniform titles:
  • Handboek Filmnarratologie. English
Subject(s): DDC classification:
  • 791.436 22
LOC classification:
  • PN 1995  V566f 2009
Contents:
Is cinema essential narrative? -- Basic principles of narratology -- The narrative impact of the mise en scáene -- The narrative impact of cinematography -- Story and fabula disconnected through editing -- The visual narrator and visual focalization -- Tension between the visual and auditive narrators -- Sound as a narrative force -- The narrative principles of genres -- Filmic excess : when style drowns the plot -- Appendix : The virgin suicides as a test case.
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Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PN 1995 V566f 2009 (Browse shelf(Opens below)) 1 Available 00000074458
Browsing Biblioteca Juan Bosch shelves, Shelving location: Humanidades (4to. Piso), Collection: Humanidades Close shelf browser (Hides shelf browser)
PN 1995 V272p 2007 Precis d'analyse filmique / PN 1995 V272p 2008 Principios de análisis cinematográfico / PN 1995 V364w 2013 Where film meets philosophy : Godard, Resnais, and experiments in cinematic thinking / PN 1995 V566f 2009 Film narratology / PN 1995 V878c 2016 El cine como arte subversivo / PN 1995 V878f 1974 Film as a subversive art / PN 1995 V878f 2021 Film as a subversive art /

Translation of: Handboek Filmnarratologie.

Includes bibliographical references and index.

Is cinema essential narrative? -- Basic principles of narratology -- The narrative impact of the mise en scáene -- The narrative impact of cinematography -- Story and fabula disconnected through editing -- The visual narrator and visual focalization -- Tension between the visual and auditive narrators -- Sound as a narrative force -- The narrative principles of genres -- Filmic excess : when style drowns the plot -- Appendix : The virgin suicides as a test case.

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