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The dream of the great American novel / Lawrence Buell.

By: Material type: TextTextLanguage: Eng Publication details: Cambridge, Mass. : The Belknap Press of Harvard University Press, 2014.Description: 567 p.; 24 cmISBN:
  • 9780674051157 (alk. paper)
Subject(s): DDC classification:
  • 813.009
LOC classification:
  • PS 377 B928d 2014
Contents:
Birth, heyday, and seeming decline -- Reborn from the critical ashes -- The reluctant master text : the making and remakings of Hawthorne's The scarlet letter -- "Success" stories from Benjamin Franklin to the dawn of modernism -- Belated ascendancy : Fitzgerald to Faulkner, Dreiser to Wright and Bellow -- Up-from stories in hyphenated America : Ellison, Roth, and beyond -- Uncle Tom's cabin and its aftermaths -- The Adventures of Huckleberry Finn and its others -- Faulkner's Absalom, Absalom!, Margaret Mitchell's Gone with the wind, and literary interracialism North and South -- Toni Morrison's Beloved as culmination and augury -- Melville's Moby-Dick : from oblivion to great American novel -- The great American novel of early twentieth century breakdown : Dos Passos's U.S.A. or Steinbeck's The grapes of wrath? -- Late twentieth-century maximalism : Pynchon's Gravity's rainbow and its rainbow.
Summary: Taking in the full sweep of national fiction, this title explains why this supposedly antiquated idea continues to thrive. It shows that four G A N "scripts" are keys to the dynamics of American literature and identity - and to the myth of a nation perpetually under construction
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Holdings
Item type Current library Home library Collection Shelving location Call number Vol info Copy number Status Barcode
Libro Libro Biblioteca Juan Bosch Biblioteca Juan Bosch Humanidades Humanidades (4to. Piso) PS 377 B928d 2014 (Browse shelf(Opens below)) 1 1 Available 00000103070

Includes bibliographical references and index.

Birth, heyday, and seeming decline -- Reborn from the critical ashes -- The reluctant master text : the making and remakings of Hawthorne's The scarlet letter -- "Success" stories from Benjamin Franklin to the dawn of modernism -- Belated ascendancy : Fitzgerald to Faulkner, Dreiser to Wright and Bellow -- Up-from stories in hyphenated America : Ellison, Roth, and beyond -- Uncle Tom's cabin and its aftermaths -- The Adventures of Huckleberry Finn and its others -- Faulkner's Absalom, Absalom!, Margaret Mitchell's Gone with the wind, and literary interracialism North and South -- Toni Morrison's Beloved as culmination and augury -- Melville's Moby-Dick : from oblivion to great American novel -- The great American novel of early twentieth century breakdown : Dos Passos's U.S.A. or Steinbeck's The grapes of wrath? -- Late twentieth-century maximalism : Pynchon's Gravity's rainbow and its rainbow.

Taking in the full sweep of national fiction, this title explains why this supposedly antiquated idea continues to thrive. It shows that four G A N "scripts" are keys to the dynamics of American literature and identity - and to the myth of a nation perpetually under construction

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