TY  - BOOK
AU  - Hayward,Susan
AU  - Vincendeau,Ginette
TI  - French film, texts and contexts / 
SN  - 0415001315 (pbk.)
AV  - PN 1993.5 F873 1990
U1  - 791.43/0944 
PY  - 1990///
CY  - London, New York
PB  - Routledge
KW  - Motion pictures
KW  - France
KW  - History
KW  - Cine
KW  - Historia
KW  - Francia
N1  - Includes bibliographical references (pages [297]-304) and index; 'Poetry of the unconscious' : circuits of desire in two films by Germaine Dulac : La Souriante Mme Beudet (1923) and La Coquille et le clergyman (1927) / Sandy Flitterman-Lewis
History and actuality : Abel Gance's Napoléon vu par Abel Gance (1927) / Norman King
Discourse, narrative, and the subject of capital : Marcel L'Herbier's L'Argent (1929) / Richard Abel
'Let's sing it one more time' : René Clair's Sous les toits de Paris (1930) / Michel Marie
In the name of the father : Marcel Pagnol's 'trilogy' Marius (1931), Fanny (1932), César (1936) / Ginette Vincendeau
The fleeing gaze : Jean Renoir's La Betê humaine (1938) / Michel Lagny
Poetic realism as psychoanalytical and ideological operation : Marcel Carné's Le Jour se lève (1939) / Maureen Turim. Beneath the despair, the show goes on : Marcel Carné's Les Enfants du paradis (1943-1945) / Jean-Pierre Jeancolas
Gender politics : Cocteau's Belle is not that Bête : Jean Cocteau's La Belle et la Bête (1946) / Susan Hayward
The sacrament of writing : Robert Bresson's Le Journal d'un curé de campagne (1951) / Keith A. Reader
A breath of sea air : Jacques Tati's Les Vacances de M. Hulot (1952) / Pierre Sorlin
Casque d'or casquettes, a cask of aging wine : Jacques Becker's Casque d' or (1952) Dudley Andrew
How history begets meaning : Alain Resnais' Hiroshima mon amour (1959) / Marie-Claire Ropars-Wuilleumier
The script of delinquency : François Truffaut's Les 400 coups (1959) / Anne Gillain
'It really makes you sick!' : Jean-Luc Godard's A bout de souffle (1959) / Michel Marie
The fall of the gods : Jean-Luc Godard's Le Mépris (1963) / Jacques Aumont. Eye for irony : Eric Rohmer's Ma nuit chez Maud (1969) / Norman King
'Liberté! egalité! paternité! : Jean-Luc Godard and Anne-Marie Miéville's Sauve qui peut (la vie) 1980 / Claire Pajaczkowska
Therapeutic realism : Maurice Pailat's A nos amours (1983) / Ginette Vincendeau
Representing the sexual impasse : Eric Rohmer's Les Nuits de la pleine lune (1984) / Berenice Reynaud
Beyond the gaze and into femme- filmécriture : Agnès Varda's Sans toit ni loi (1985) / Susan Hayward
N2  - Analyses key French films in their cultural context and explores their relation to literary texts and ideas of national history
ER  -