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999			_c112540 _d112540
003			BJBSDDR
005			20230411090113.0
007			ta
008			190514s1999 cauaf 001 0 eng d
020			_a1893329038
035			_a(DLC) 98089055
035			_a(OCoLC)41610347
040			_aCoD _cCoD _bspa
041			_aeng
042			_alccopycat
050	0	0	_aPN 1996 _bK21p 1999
082	0	0	_a808.23 _221
100	1		_aKaufman, Millard.
245	1	0	_aPlots and characters : _ba screenwriter on screenwriting / _cby Millard Kaufman.
260			_aLos Angeles, CA : _bReally Great Books, _cc1999.
300			_ax, 265 p., [8] p. of plates : _bill. ; _c24 cm.
500			_aIncludes index.
505			_aPt.] 1: The business of writing. Pitfalls and pratfalls: you know who did the hair? ; Top dogs, big brass: don't show up ; Writing and writhing: growing corns on your ass ; Running the bases: you've got to hit it first -- [Pt.] 2: Writing in Hollywood (or anywhere else). Getting going: prejudice and the script ; Rewrites and critiques: arm wrestling the muse is not is not enough ; Speed and stagnation: how good are you at defrosting a refrigerator? -- [Pt.] 3: The script: basics. From Greece to Hollywood: why aren't you home writing? ; Catechism beginning with theme: stick to it like grim death ; The three-act form: surrender and we'll give you a second act ; Plot and subplot: thirty-six situations including the horse will help her ; Character: heroes and heavies: raising a fist against fate ; Anatomy of a screenplay: emotions are the only facts -- [Pt.] 4: The script: making it rich. A piece of the action: invoking the worst calamity ; Conflict and empathy: the cardinal virtues ; The parabola of change: the three C's ; Plants and payoffs: progressing backwards ; Dialogue and preachment: what's said ; The orchestration of urgency: exaggeration and excitement ; A miscellany of basics: examined at the risk of belaboring the obvious ; End game: the road to fade-out.
650		0	_aMotion picture authorship.
650		4	_aPelículas _xAutoria. _91742
906			_a7 _bcbc _ccopycat _d2 _eopcn _f19 _gy-gencatlg
942			_2lcc _cBK
946			_iLMF