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| 999 |
_c112739 _d112739 |
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| 003 | BJBSDDR | ||
| 005 | 20230411090120.0 | ||
| 007 | ta | ||
| 008 | 070719s2008 enk 000 0 eng | ||
| 020 | _a9780761943266 (hbk.) | ||
| 035 | _a(OCoLC)ocn170036704 | ||
| 040 |
_aUKM _cUKM _bspa |
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| 041 | _aeng | ||
| 042 | _alccopycat | ||
| 050 | 1 | 4 |
_aPN 1993.5 _bS129 2008 |
| 082 | 0 | 0 |
_a791.4307 _222 |
| 245 | 0 | 4 |
_aThe SAGE handbook of film studies / _cedited by James Donald and Michael Renov. |
| 246 | 3 | _aHandbook of film studies | |
| 260 |
_aLondon ; _aThousand Oaks, Calif. : _bSAGE, _c2008. |
||
| 300 |
_axiii, 522 pages : _billustrations ; _c26 cm. |
||
| 504 | _aIncludes bibliographical references and index. | ||
| 520 | _aWritten by a team of veteran scholars and exciting emerging talents, The SAGE Handbook of Film Studies maps the field internationally, drawing out regional differences in the way that systematic intellectual reflection on cinema and film has been translated into an academic discipline. It examines the conversations between Film Studies and its contributory disciplines that not only defined a new field of discourse but also modified existing scholarly traditions. It reflects on the field's dominant paradigms and debates and evaluates their continuing salience. Finally, it looks forward optimistically to the future of the medium of film, the institution of cinema and the discipline of Film Studies at a time when the very existence of film and cinema are being called into question by new technological, industrial and aesthetic developments. | ||
| 650 | 0 | _aMotion pictures. | |
| 650 | 4 |
_aCine _920 |
|
| 650 | 0 |
_aMotion pictures _xStudy and teaching. |
|
| 650 | 4 |
_aCine _xEstudio y enseƱanza _920 |
|
| 700 | 1 |
_aDonald, James _d1948- _916241 |
|
| 700 | 1 |
_aRenov, Michael _d1950- _916242 |
|
| 856 | 4 | 1 |
_3Table of contents only _uhttp://www.loc.gov/catdir/toc/fy0805/2007933315.html |
| 942 |
_2lcc _cBK |
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| 946 | _iSH | ||