000			02782cam a2200337 i 4500
999			_c113098 _d113098
003			BJBSDDR
005			20230411090136.0
007			ta
008			130522s2014 enk b 001 0 eng
020			_a9780415781800 (hardback)
040			_aDLC _beng _cDLC
041			_aspa
042			_apcc
050	0	0	_aPN 1995 _bR869 2014
082	0	0	_a791.4301 _223
245	0	4	_aThe Routledge encyclopedia of film theory / _cedited by Edward Branigan and Warren Buckland.
264		1	_aLondon ; _aNew York : _bRoutledge, Taylor & Francis Group, _c2014.
300			_axl, 526 p. ; _c26 cm
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
504			_aIncludes bibliographical references and index.
505			_aAffect. Anglo-American Film Theory. Apparatus Theory (Baudry). Apparatus Theory (Plato). Art, Film as. Attention. Attraction. Auteur Theory. Blending and Film Theory. Brecht and Film. Camera. Cinematic Movement. Classic Realist Text. Classical Film Theory. Close-up. Cognitive Film Theory. Concept. Contemporary Film Theory. Counter Cinema. Depth of Field. Dialogism. Diegesis. Digital Cinema. Documentary Theory. Emotion, Film and. Enunciation. Ethics. European Film Theory. Evidence (Jean-Luc Nancy). Excess, Cinematic. Fantasy and Spectatorship. Feminist Film Theory, Core Concepts. Feminist Film Theory, History of. Film Fable (Ranciere). Film-Philosophy. Formalist Theories of Film. Gaming and Film Theory. Gaze Theory. Genre Theory. Identification, Theory of. Ideology. Illusion. Imaginary Signifier. Imagined Observer Hypothesis. Inaesthetics (Badiou). Interface. Long Take. Memory and Film. Mimetic Innervation. Minor Cinema. Mise en Scene. Modernism versus Realism. Montage Theory I (Hollywood). Montage Theory II (Soviet Avant-Garde). Movement-Image. Narration. Ontology of the Photographic Image. Ordinary Man of the Cinema (Schefer). Perspectivism versus Realism. Phenomenology and Film. Pixel/Cut/Vector. Poetic Cinema. Point of View. Postmodern Cinema. Queer Theory. Reception Theory. Redemption. Representation. Rhetoric, Film and. Seeing/Perceiving. Semiotics of Film. Skepticism. Sound Theory. Specificity, Medium I. Specificity, Medium II. Structural/Materialist Film. Suture. Symbol and Analogon. Symptomatic Reading. Third World Cinema. Time-Image. Trauma. Voice.
650		0	_aMotion pictures _xPhilosophy _vEncyclopedias.
650		0	_aFilm criticism _vEncyclopedias.
700	1		_aBranigan, Edward, _d1945- _eeditor.
700	1		_aBuckland, Warren _eeditor.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2lcc _cBK