000			04094cam a2200565 i 4500
999			_c114165 _d114165
001			19872655
003			BJBSDDR
005			20230411090641.0
008			170809t20162016nyuaf b 001 0 eng d
010			_a 2017275519
020			_a9781944869526
035			_a(OCoLC)ocn952389413
037			_bPgw, C/O Perseus Distribution 210 American Dr, Jackson, TN, USA, 38301 _nSAN 631-760X
040			_aBTCTA _beng _cBJBSDDR _erda _dYDXCP _dBDX _dNUI _dIAD _dXYZ _dOQX _dZNS _dIGA _dEYM _dVP@ _dTXWBR _dEAU _dOCLCO _dINU _dSFR _dBYV _dDLC _dBJBSDDR
041			_aeng
042			_alccopycat
043			_an-us---
050	1	4	_aJK 468 _bW619f 2016
082	0	4	_a327.1273 _223
084			_aHIS036060 _aPOL036000 _aLIT004020 _aPOL049000 _2bisacsh
100	1		_aWhitney, Joel, _c(Periodista), _eautor. _912043
245	1	0	_aFinks : _bhow the CIA tricked the world's best writers / _cJoel Whitney.
246	3	0	_aHow the CIA tricked the world's best writers
264		1	_aNew York : _bOR Books, _c2016.
264		4	_c©2016
300			_a329 p. : _bill. ; _c21 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction. A lit'r'y coup -- Graduates -- The responsibility of editors -- Pasternak, the CIA, and Feltrinelli -- The Paris Review goes to Moscow -- Did the CIA censor its magazines? -- James Baldwin's protest -- Into India -- The US coup in Guatemala -- Cuba : a portrait by Figueres, Plimpton, Hemingway, García Márquez, part 1 -- Cuba : a portrait by Plimpton, Hemingway and García Márquez, part 2 -- Tools rush in : Pablo Neruda, Mundo Nuevo and Keith Botsford -- The vital center cannot hold -- Blowback -- Coda. Afghanistan.
520			_a"When news broke that the CIA had colluded with literary magazines to produce cultural propaganda throughout the Cold War, a debate began that has never been resolved. The story continues to unfold, with the reputations of some of America's best-loved literary figures--including Peter Matthiessen, George Plimpton, and Richard Wright--tarnished as their work for the intelligence agency has come to light. Finks is a tale of two CIAs, and how they blurred the line between propaganda and literature. One CIA created literary magazines that promoted American and European writers and cultural freedom, while the other toppled governments, using assassination and censorship as political tools. Defenders of the 'cultural' CIA argue that it should have been lauded for boosting interest in the arts and freedom of thought, but the two CIAs had the same undercover goals, and shared many of the same methods: deception, subterfuge and intimidation. Finks demonstrates how the good-versus-bad CIA is a false divide, and that the cultural Cold Warriors again and again used anti-Communism as a lever to spy relentlessly on leftists, and indeed writers of all political inclinations, and thereby pushed U.S. democracy a little closer to the Soviet model of the surveillance state."-- _cPublisher description.
610	1	0	_aUnited States. _bCentral Intelligence Agency _xHistory _y20th century.
610	1	0	_aUnited States. _bCentral Intelligence Agency _xInfluence.
610	2	4	_aUnited States _bCentral Intelligence Agency _xHistory.
610	2	4	_aUnited States _bCentral Intelligence Agency _xInfluence.
650		0	_aPropaganda _zUnited States _xHistory _y20th century.
650		0	_aPolitics and culture _zUnited States.
650		0	_aFreedom and art _xPolitical aspects _zUnited States.
650		4	_aAmerican propaganda _xHistory.
650		0	_aPolítica y gobierno _zEstados Unidos. _93011
650		4	_aPropaganda _xHistoria _93729 _ySiglo XX. _zEstados Unidos
650		7	_aPOLITICAL SCIENCE / Intelligence & Espionage. _2bisacsh
651		0	_aUnited States _xCultural policy.
651		0	_aEstados Unidos _xPolítica cultural _92996
906			_a7 _bcbc _corignew _d2 _encip _f20 _gy-gencatlg
942			_2lcc _cBK