| 000 | 03329cam a2200361 i 4500 | ||
|---|---|---|---|
| 999 |
_c114980 _d114980 |
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| 001 | 19325622 | ||
| 003 | BJBSDDR | ||
| 005 | 20230411090713.0 | ||
| 008 | 161004s2017 nyua b 001 0 eng | ||
| 010 | _a 2016027244 | ||
| 020 | _a9781138694101 (hardback) | ||
| 020 | _a9781138925045 (pbk.) | ||
| 020 | _z9781315683980 (e-book) | ||
| 040 |
_aDLC _beng _cDLC _erda _dDLC |
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| 042 | _apcc | ||
| 050 | 0 | 0 |
_aPN 1995.9 _bJ27f 2017 |
| 082 | 0 | 0 |
_a791.4302 _223 |
| 100 | 1 |
_aJames, Jack, _d1977- _eauthor. _914462 |
|
| 245 | 1 | 0 |
_aFilm and video production in the cloud : _bconcepts, workflows, and best practices / _cJack James. |
| 264 | 1 |
_aNew York : _bRoutledge, Taylor & Francis Group, _c2017. |
|
| 300 |
_axi, 249 p. : _bill. ; _c24 cm |
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| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | _a- Chapter 1 Silver screens and silver liningsIntroduction- Chapter 2 What is "The Cloud"?Origin of the term; different types of "clouds"- Chapter 3 Film & video production in the cloudPractical and theoretical benefits of cloud computing in a production context: efficiency,connectedness, access, going mobile- Chapter 4 Cloud storageBenefits vs local storage: encryption, cost-effective, easy, robust, sync. Drawbacks: transmission speeds, internet connection required, security concerns, lack of immediacy. Dropbox, box, google drive,iCloud, Amazon S3.- Chapter 5 Cloud computingRendering; heavy number-crunching. Amazon Elastic Compute Cloud- Chapter 6 Production & CollaborationSoftware as a service; online project management solutions; cloud-based video-conferencing. Google docs & spreadsheets, Asana, Basecamp, Shotgun, Adobe Creative Cloud, Autodesk A360, Avid Media Composer Cloud- Chapter 7 Budgeting & planningOutlining; scheduling- Chapter 8 TrackingImporting data into a single place; logging metadata; synchronisation; logging information as it occurs; best practices for structuring metadata; being prepared for data to transform; versioning- Chapter 9 Asset managementSending & receiving digital assets; best practices for organising digital assets- Chapter 10 AnalysisProgress reporting; dashboarding (summarising large amounts of data); benchmarking (comparing one production to others)- Chapter 11 Review & approvalStreaming playback; review sessions; annotation; getting feedback to the right people- Chapter 12 Distribution & archiveSharing metadata with third-parties & vendors; long-term storage benefits; reusable assets for episodic content; Amazon Glacier, Vimeo, YouTube, Pix- Chapter 13 Security considerationsWatermarking; access restriction; trusting the cloud providers- Chapter 14 CrowdsourcingCrowd-voting; crowdfunding; crowdsourcing labour. Ethical considerations. Kickstarter, Amazon Mechanical Turk.- Chapter 15 PotentialAccess to better tools; more ubiquitous access; faster speeds; reduced costs- Appendices | ||
| 650 | 0 |
_aMotion pictures _xProduction and direction _xTechnological innovations. |
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| 650 | 0 |
_aVideo recording _xTechnological innovations. |
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| 650 | 0 | _aCloud computing. | |
| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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| 942 |
_2lcc _cBK |
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