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035			_aOCoLC893975635
040			_bspa _cBJBSDDR
041			_aeng
050	1	4	_aPN 1995 _bC934 2011
245	0	0	_aCritical visions in film theory : _bclassic and contemporary readings / _cEdited by Timothy Corrigan; Patricia White and Meta Mazaj.
260			_aBoston : _bBedford/St. Martins, _c2011
300			_axxi, 1173 p. : _bill. ; _c24 cm.
504			_aIncludes bibliographical references and index.
505			_aPart 1. Experiencing film : from perception to reception -- Part 2. The sights, sounds, and signs of cinema -- Part 3. Modernism and realism : debates in classical film theory -- Part 4. Auteurism : directors, stars, and beyond -- Part 5. Genre : classifying stories -- Part 6. Narrative : telling stories -- Part 7. Alternative modes : experimental and documentary film -- Part 8. Sexuality and gender in cinema : from psychoanalysis to performativity -- Part 9. Race and ethnicity in cinema : from stereotypes to self-representation -- Part 10. National and transnational film histories -- Part 11. Screen cultures : current debates.
520			_aCritical Visions in Film Theory embraces new approaches in the field without ignoring the history of classical film theory. The book includes classic debates in areas like film form, genre, and authorship, as well as new conversations on such topics as race, gender and sexuality, and new media. Critical Visions also provides guidance for students, giving them the context and the tools they need to critically engage with theory and apply it to their film experiences.
650		4	_91515 _aCine _xHistoria
650		4	_93658 _aCrítica de cine
650		4	_923122 _aCine _xEstudio y enseñanza
700	1		_923051 _aCorrigan, Timothy _eeditor
700	1		_923123 _aWhite, Patricia, _d1964- _eeditora
700	1		_913093 _aMazaj, Meta, _d1971- _eeditora
930			_a2017-147415 _dO
942			_2lcc _cBK