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008			181204s2019 mnu b s001 0 eng
010			_a 2018046160
020			_a9780816641338 (softcover)
020			_a0816641331 (softcover)
040			_aDLC _beng _cDLC _erda _dDLC
041			_aeng
042			_apcc
050	1	4	_aPN 1995 _bP438e 2019
082	0	0	_a791.4301/5
100	1		_aPerez, Gilberto, _d1943- _924081
245	1	4	_aThe eloquent screen : _ba rhetoric of film / _cGilberto Perez ; foreword by James Harvey.
264		1	_aMinneapolis : _bUniversity of Minnesota Press, _c[2019]
300			_axxi, 405 pages ; _c23 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 355-379) and index.
505			_aPublisher's note -- Foreword / James Harvey -- On Gil Perez / Diane Stevenson -- Preface -- Introduction: John Ford's rhetoric -- Cinematic tropes -- Melodrama and film technique -- Coda: Of identification.
520			_aCinema is commonly hailed as "the universal language," but how does it communicate so effortlessly across cultural and linguistic borders? Drawing on a lifetime's worth of viewing an reviewing, influential critic Gilberto Perez invokes a dizzying array of masters past and present including Chaplin, Ford, Kiarostami, Eisenstein, Malick, Mizoguchi, Haneke, Hitchcock, and Godard--to explore the transaction between filmmaker and audience. The Eloquent Screen shows how cinema, as the consummate contemporary art form, establishes a thoroughly modern rhetoric in which different points of view are brought into clear focus. --
650		0	_aMotion pictures _xPhilosophy.
650		0	_aSubjectivity in motion pictures.
650		0	_aMetaphor in motion pictures.
650		0	_aMotion picture plays _xHistory and criticism.
650		4	_aCine _xFilosofía _91867
650		4	_aSubjetividad en el cine _924140
650		4	_aCine _xHistoria y crítica _91863
700	1		_924141 _aHarvey, James _eprologuista
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2lcc _cBK