| 000 | 01528cam a2200349 i 4500 | ||
|---|---|---|---|
| 999 |
_c116644 _d116644 |
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| 001 | 3699305 | ||
| 003 | BJBSDDR | ||
| 005 | 20230411090809.0 | ||
| 006 | a|||||r|||| 00| 0 | ||
| 007 | ta | ||
| 008 | 790619s1979 mau b 001 0 eng | ||
| 010 | _a 79016670 | ||
| 020 | _a067496196X (pbk.) | ||
| 020 | _a9780674961968 (pbk.) | ||
| 040 |
_aDLC _cDLC _dDLC |
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| 041 | _aeng | ||
| 050 | 1 | 4 |
_aPN 1995 _bC378w 1979 |
| 082 | 0 | 0 | _a791.43/01 |
| 100 | 1 |
_aCavell, Stanley, _d1926-2018 _924459 |
|
| 245 | 1 | 4 |
_aThe world viewed : _breflections on the ontology of film / _cStanley Cavell. |
| 250 | _aEnlarged edition | ||
| 260 |
_aCambridge : _bHarvard University Press, _c1979. |
||
| 300 |
_axxv, 253 p. ; _c21 cm. |
||
| 440 | 0 |
_924460 _aHarvard film studies |
|
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | _aAn autobiography of companions Sights and sounds Photograph and screen Audience, actor, and star Types; cycles as genres Ideals of origin Baudelaire and the myths of film The military man and the woman The dandy End of the myths The medium and the media of film The world as mortal: absolute age and youth The world as a whole: color Automatism Excursus: some modernist painting Exhibition and self-reference The camera's implication Assertion in techniques The acknowledgement of silence | ||
| 650 | 0 |
_aMotion pictures _xPhilosophy. |
|
| 650 | 4 |
_aCine _xFilosofĂa _91867 |
|
| 650 | 4 |
_aCine _xEstética _9174 |
|
| 906 |
_a7 _bcbc _corignew _d1 _eocip _f19 _gy-gencatlg |
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| 942 |
_2lcc _cBK |
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