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008 180302s2018 njua b 001 0 eng d
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020 _a0691162824 (hardcover)
020 _a9780691162829 (hardcover)
035 _a(OCoLC)on1032581139
040 _aYDX
_beng
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041 _aeng
042 _alccopycat
050 1 4 _aHD 9999
_bW163d 2018
082 0 0 _a338.477
100 1 _aWaldfogel, Joel,
_d1962-
_924944
245 1 0 _aDigital renaissance :
_bwhat data and economics tell us about the future of popular culture /
_cJoel Waldfogel.
264 1 _aPrinceton :
_bPrinceton University Press,
_c[2018]
300 _ax, 307 pages :
_billustrations ;
_c24 cm
336 _atext
_btxt
_2rdacontent
336 _astill image
_bsti
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 0 _aThe creative industries : risky, expensive, and worth preserving -- Part I: A tour of some major cultural industries : music, movies, television shows, books, and photography. Digitization in music : rock on? ; Digitization in movies : Hollywood ending? ; Digitization in television : has the vast wasteland blossomed? ; Digitization in books : fifty shades of dreck? ; Digitization further afield : photography, travel agents, and beyond ; The value of the digital renaissance : the long tail and a whole lot more -- Part II: Coming attractions : farm teams, bundling, pirates, vikings, and trolls. The digital farm system, and the promise of bundling ; A tale of two intellectual property regimes : lessons from Hollywood and Bollywood ; Digitization, the French, and the return of the Vikings ; Bridge trolls : the possible threat of technological gatekeepers ; Crisis or renaissance?
520 0 _a"The digital revolution poses a mortal threat to the major creative industries--music, publishing, television, and the movies. The ease with which digital files can be copied and distributed has unleashed a wave of piracy with disastrous effects on revenue. Cheap, easy self-publishing is eroding the position of these gatekeepers and guardians of culture. Does this revolution herald the collapse of culture, as some commentators claim? Far from it. In [this book], Joel Waldfogel argues that digital technology is enabling a new golden age of popular culture, a veritable digital renaissance. By reducing the costs of production, distribution, and promotion, digital technology is democratizing access to the cultural marketplace. More books, songs, television shows, and movies are being produced than ever before. Nor does this mean a tidal wave of derivative, poorly produced kitsch; analyzing decades of production and sales data, as well as bestseller and best-of lists, Waldfogel finds that the new digital model is just as successful at producing high-quality, successful work as the old industry model, and in many cases more so. The vaunted gatekeeper role of the creative industries proves to have been largely mythical. The high costs of production have stifled creativity in industries that require ever-bigger blockbusters to cover the losses on ever-more-expensive failures. Are we drowning in a tide of cultural silt, or living in a golden age for culture? The answers in Digital Renaissance may surprise you."--Dust jacket.
546 _aText in English.
650 0 _aPopular culture.
650 0 _aCultural property
_xProtection.
650 0 _aCultural industries
_xTechnological innovations.
650 4 _aCultura popular
_92004
650 4 _aIndustria cultural
_93285
650 4 _aBienes culturales
_923817
_xProtección
650 4 _aIndustria cultural
_925893
_xInnovaciones tecnológicas
655 4 _aNonfiction.
906 _a7
_bcbc
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