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008			200223s2020 cau||||| |||| 00| 0 eng d
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040			_beng _cBJBSDDR
041			_aeng
050	1	4	_aPN 1998.3 _bL733a 2020
082	0	0	_a791.43/75
100	1		_aLimbrick, Peter
245	1	0	_aArab modernism as world cinema : _bthe films of Moumen Smihi / _cPeter Limbrick
260			_aOakland, California : _bUniversity of California Press, _c2020
300			_a286 pages : _billustrations ; _c23 cm
500			_a
504			_aIncludes filmography, bibliographical references and index
505	0		_aIntroduction: Moumen Smihi, world cinema, Arab modernism Radical realities "The voice of the Arabs" "Kan ya makan . . . :" : Intertextuality and Arab modernism Religion and modernity Situating desire
520			_aThe career of Moroccan filmmaker Moumen Smihi (b. 1945) spans nearly fifty years yet, like so many important Arab filmmakers, his films are not well-known in the Anglophone world. Limbrick's book, the first extensive study of his work, places Smihi within the context of Moroccan, Arab, and world cinema, revealing how the filmmaker creates a traffic of images and ideas between Arab and non-Arab cinemas and cultures. In tracing other Arab experiments with modernism, the book considers the historical phenomenon of the Nahda, the "Arab Renaissance" of the nineteenth and early-twentieth century, when Arab writers and artists re-energized Arab culture by engaging with other languages and societies, especially Europe. Showing how Smihi takes up the challenge and the spirit of the Nahda for a new age, Limbrick argues that we can't understand the importance of Arab film to global cinematic modernisms without reference to Smihi's radically beautiful work. Arab Modernism as World Cinema continues the project of rethinking the relation of Arab thought and culture to modernity and provides new routes for understanding cinematic modernism in the Middle East and North Africa as integral to world cinema.
650		4	_920 _aCine _zPaíses árabes
650		4	_911899 _aDirectores y productores de cine _zMarruecos
942			_2lcc _cBK
946			_idpf