000 02210cam a2200397 a 4500
999 _c119080
_d119080
003 BJBSDDR
005 20230805181426.0
007 ta
008 130429s2012 enka b 000 0 eng d
020 _a9781844574971 (pbk.)
020 _a1844574970 (pbk.)
035 _a(OCoLC)ocn793214058
040 _aUKMGB
_beng
_cUKMGB
041 _aeng
042 _alccopycat
050 1 4 _aPN 1997
_bM961c 2012
082 0 0 _a791.4372
100 1 _aMulvey, Laura,
_d1941-
245 1 0 _aCitizen Kane /
_cLaura Mulvey.
250 _a2nd edition
260 _aLondon ;
_aNew York :
_bBritish Film Institute (BFI Publishing),
_c2012.
300 _a103 pages :
_billustrations ;
_c19 cm.
490 1 _aBFI film classics
500 _aOrig. pub. : 1992
504 _aIncludes bibliographical references (p. 103).
520 _aCitizen Kane's reputation as one of the greatest films of all time is matched only by the accumulation of critical commentary that surrounds it. What more can there be to say about a masterpiece so universally acknowledged? Laura Mulvey, in a fresh and original reading, illuminates the richness of the film, both thematically and stylistically, relating it to Welles's political background and its historical context. In a lucid and perceptive critique she also investigates the psychoanalytic structure that underlies the film's presentation of Kane's biography, for once taking seriously what Orson Welles himself disparagingly referred to as 'dollar-book Freud.' In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Laura Mulvey focuses on the film's politics, highlighting the contemporary 'rhymes' in Kane's portrayal of a scandal-prone press baron in a time of economic crisis
630 0 0 _aCitizen Kane (Motion picture)
630 0 4 _aCiudadano Kane (Película cinematográfica)
_xCrítica e interpretación
650 4 _920
_aCine
710 2 _91912
_aBritish Film Institute.
830 0 _aBFI film classics
_931455
906 _a7
_bcbc
_ccopycat
_d2
_encip
_f20
_gy-gencatlg
942 _2lcc
_cBK
946 _ilmm