000			02210cam a2200397 a 4500
999			_c119080 _d119080
003			BJBSDDR
005			20230805181426.0
007			ta
008			130429s2012 enka b 000 0 eng d
020			_a9781844574971 (pbk.)
020			_a1844574970 (pbk.)
035			_a(OCoLC)ocn793214058
040			_aUKMGB _beng _cUKMGB
041			_aeng
042			_alccopycat
050	1	4	_aPN 1997 _bM961c 2012
082	0	0	_a791.4372
100	1		_aMulvey, Laura, _d1941-
245	1	0	_aCitizen Kane / _cLaura Mulvey.
250			_a2nd edition
260			_aLondon ; _aNew York : _bBritish Film Institute (BFI Publishing), _c2012.
300			_a103 pages : _billustrations ; _c19 cm.
490	1		_aBFI film classics
500			_aOrig. pub. : 1992
504			_aIncludes bibliographical references (p. 103).
520			_aCitizen Kane's reputation as one of the greatest films of all time is matched only by the accumulation of critical commentary that surrounds it. What more can there be to say about a masterpiece so universally acknowledged? Laura Mulvey, in a fresh and original reading, illuminates the richness of the film, both thematically and stylistically, relating it to Welles's political background and its historical context. In a lucid and perceptive critique she also investigates the psychoanalytic structure that underlies the film's presentation of Kane's biography, for once taking seriously what Orson Welles himself disparagingly referred to as 'dollar-book Freud.' In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Laura Mulvey focuses on the film's politics, highlighting the contemporary 'rhymes' in Kane's portrayal of a scandal-prone press baron in a time of economic crisis
630	0	0	_aCitizen Kane (Motion picture)
630	0	4	_aCiudadano Kane (Película cinematográfica) _xCrítica e interpretación
650		4	_920 _aCine
710	2		_91912 _aBritish Film Institute.
830		0	_aBFI film classics _931455
906			_a7 _bcbc _ccopycat _d2 _encip _f20 _gy-gencatlg
942			_2lcc _cBK
946			_ilmm