| 000 | 03945cam a2200433 a 4500 | ||
|---|---|---|---|
| 001 | 14548820 | ||
| 003 | BJBSDDR | ||
| 005 | 20240216152530.0 | ||
| 007 | ta | ||
| 008 | 060913s2019 nyua bq 001 0 eng | ||
| 010 | _a 2006030196 | ||
| 020 | _a9781138628403 (pbk. : alk. paper) | ||
| 020 | _a1138628409 (pbk. : alk. paper) | ||
| 035 | _a(OCoLC)ocm71369141 | ||
| 040 |
_aDLC _cDLC _dBAKER _dC#P _dYDXCP _dDLC _beng |
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| 041 | _aeng | ||
| 050 | 1 | 4 |
_aTR 899 _bD175t 2019 |
| 082 | 0 | 0 | _a778.5/235 |
| 100 | 1 |
_aDancyger, Ken, _d1945- _931869 |
|
| 245 | 1 | 4 |
_aThe technique of film and video editing : _bhistory, theory, and practice / _cKen Dancyger. |
| 250 | _a6th edition | ||
| 260 |
_aNew York, NY : _bRoutledge, _c2019. |
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| 300 |
_axxv, 511 pages : _billustrations ; _c24 cm. |
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| 500 | _a"A Focal Press book"--Cover | ||
| 504 | _aIncludes bibliographical references (p. 458-460) and index. | ||
| 504 | _aIncludes filmography: p. 435-448. | ||
| 505 | 0 | _aIntroduction Section 1. History of film editing. The silent period The early sound film The influence of the documentary The influence of the popular arts The influence of other arts Editors who became directors Experiments in editing : Alfred Hitchcock Experiments in editing II : Robert Altman New technologies International advance The influence of television and theatre New challenges to filmic narrative conventions The MTV influence on editing I The MTV influence on editing II Changes in pace The appropriation of style I : imitation and innovation The appropriation of style II : limitation and innovation The appropriation of style III : digital reality Section 2. Goals of editing. Editing for narrative clarity Editing for dramatic emphasis Editing for subtext Editing for surprise Editing for aesthetics Section 3. Editing for the genre. Action Dialog Comedy Documentary Imaginative documentary Innovation in documentary I Innovations in documentary II Innovation in documentary III : the experimental documentary Section 4. Principles of editing. The picture edit and continuity The picture edit and pace Ideas and sound The sound edit and clarity The sound edit and creative sound Innovations of sound Nonlinear editing and digital technology I Nonlinear editing and digital technology II Conclusion | |
| 520 | _aThis updated sixth edition of The Technique of Film and Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Ken Dancyger puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice across a range of genres, including action, comedy, drama, documentary and experimental forms, featuring analysis of dozens of classic and contemporary films. This new sixth edition includes new chapters on the influence of other media on the editing form, on the importance of surprise in editing, on the contributions of Robert Altman to the art of editing and on the experimental documentary. This edition also includes expanded coverage in technology, creative sound, point of view, and the long take. New case studies explore Whiplash (2014), Room (2015), Lincoln (2012), Tangerine (2015), The Beaches of Agnès (2008), American Sniper (2014), Son of Saul (2015), The Revenant (2015), and many more | ||
| 650 | 0 |
_aMotion pictures _xEditing. |
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| 650 | 4 |
_aCine _xEdición. _91481 |
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| 650 | 0 |
_aVideo tapes _xEditing. |
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| 650 | 4 |
_aCintas de video _xEdición _934419 |
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| 650 | 4 |
_aVideo digital _xEdición _934420 |
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| 856 | 4 | 1 |
_3Table of contents only _uhttp://www.loc.gov/catdir/toc/ecip071/2006030196.html |
| 856 | 4 | 2 |
_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy0668/2006030196-d.html |
| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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| 942 |
_2lcc _cBK |
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| 999 |
_c120013 _d120013 |
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