000			03447cam a2200493 i 4500
001			21447948
003			BJBSDDR
005			20240916160806.0
007			ta
008			200226s2020 nyua 001 0 eng
010			_a 2020288213
020			_a9781101971024
020			_a1101971029
040			_aDLC _beng _cDLC _erda _dDLC
041			_aeng
042			_apcc
050	1	4	_aPN 1995.9 _bT482s 2020
082	0	0	_a791.43/65211
100	1		_aThomson, David, _d1941- _94291
245	1	0	_aSleeping with strangers : _bhow the movies shaped desire / _cDavid Thomson.
250			_aFirst Vintage Books edition.
264		1	_aNew York : _bVintage Books, a division of Penguin Random House LLC, _c2020.
300			_a348 pages : _billustrations ; _c21 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aIncludes index.
505	0		_aIntroduction: Naked at the window -- The iceman cometh -- A powder puff? -- Is this allowed? -- Hideaway -- Codes and codebreakers -- The goddamn monster -- Gable and Cukor -- Tracy and Hepburn -- Buddies and cowboys -- "The cat's in the bag, the bag's in the river" -- Dead attractive: Cary Grant -- Indecency, gross or mass market? -- The male gaze -- Perverse -- Burning man -- Gigolo -- Doing it, saying it -- An open door.
520			_aThe celebrated film critic ... gives us a wholly original, seductive account of sexuality in the movies and of how actors and actresses onscreen have fed--and formed--our desire. Film can make us want things we cannot have. But, while sometimes rapturous, the potent interaction of onscreen beauty and private desire also speaks to a crisis in American culture, one that pits delusions of male supremacy against feminist awakening and the spirit of gay resistance. Combining criticism, memoir, and his encyclopedic knowledge of film history, David Thomson probes the tangled notions of masculinity, femininity, beauty, and sex; the said and the unsaid; the seen and the unseen--and all their various asymmetric relations--that characterize our cinematic imagination. We see how the movies have begun to reveal the fault lines in conventional masculinity and to point the way past it, toward a more nuanced understanding of what it means to be a person desiring others. Ranging from advertising to pornography, Rock Hudson to Kristen Stewart, Bonnie and Clyde to Call Me by Your Name, Katharine Hepburn and Cary Grant to Phantom Thread, Thomson illuminates the way in which film as art, entertainment, and business has historically been a polite cover for a kind of erotic séance. Thomson, in his inimitable way, makes us see how the way we watch movies is a kind of training for how we live."--From publisher.
650		0	_aMen in motion pictures.
650		0	_aMachismo in motion pictures.
650		4	_aMachismo en el cine _938518
650		0	_aHomosexuality in motion pictures.
650		4	_aHomosexualidad en el cine _938517
650		0	_aWomen in motion pictures.
650		4	_aMujeres en el cine _911551
650		4	_aFeminidad en el cine _938516
650		0	_aDesire in motion pictures.
650		4	_aDeseo en el cine _938515
906			_a7 _bcbc _corigres _d2 _encip _f20 _gy-gencatlg
942			_2lcc _cBK
946			_isba
999			_c121458 _d121458