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007			ta
008			170203s2017 nyu b 001 0 eng
010			_a 2016048256
020			_a9780231170673
020			_a023117067X
020			_a9780231170666
020			_a0231170661
040			_aDLC _beng _cDLC _erda
041			_aeng
042			_apcc
043			_ae-fr--- _an-us---
050	1	4	_aPN 1993.5 _bB921e 2017
082	0	0	_a384/.80944
100	1		_aBuchsbaum, Jonathan, _d1946- _937028
245	1	0	_aException taken : _bhow France has defied Hollywood's new world order / _cJonathan Buchsbaum.
264		1	_aNew York : _bColumbia University Press, _c2017.
300			_axxvii, 393 pages : _billustrations ; _c23 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	0		_aFilm and culture
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- International domination by the U.S. film industry -- The Lang years -- European film policy and television without frontiers -- Gatt -- From Canal+ to Canal? -- Bilan(s) -- From cultural exception to cultural diversity -- Was the experience beneficial? -- Conclusion.
520			_aIn Exception Taken, Jonathan Buchsbaum examines the movements that have emerged in opposition to the homogenizing force of Hollywood in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry under the new Mitterrand government. Over the following decades, the country lobbied partners in the European Economic Community to design strategies to protect the audiovisual industries and to resist cultural free-trade pressures in international trade agreements. These struggles to preserve the autonomy of national artistic prerogatives emboldened many countries to question the benefits of accelerated globalization.Led by the energetic minister of culture Jack Lang, France initiated a series of measures to support all sectors of the film industry. Lang introduced laws mandating that state and private television invest in the film industry, effectively replacing the revenue lost from a shrinking theatrical audience for French films. With the formation of the European Union in 1992, Europe passed a new treaty (Maastricht) that extended its legal purview to culture for the first time, setting up the dramatic confrontation over the General Agreement on Trade and Tariffs (GATT) in 1993. Pushed by France, the EU fought the United States over the idea that countries should preserve their right to regulate cultural activity as they saw fit. France and Canada then initiated a campaign to protect cultural diversity within UNESCO that led to the passage of the Convention on Cultural Diversity in 2005. As France pursued these efforts to protect cultural diversity beyond its borders, it also articulated "a certain idea of cinema" that did not simply defend a narrow vision of national cinema. France promoted both commercial cinema and art cinema, disproving announcements of the death of cinema.
650		0	_aMotion picture industry _zFrance _xHistory _y20th century.
650		0	_aMotion picture industry _zUnited States _xHistory _y20th century.
650		4	_aIndustria cinematográfica _xHistoria _928114
650		4	_aIndustria cinematográfica _zEstados Unidos _91507
650		4	_aIndustria cinematográfica _zFrancia _91505
650		4	_aIndustria cinematográfica _xPolítica gubernamental _928483
830		0	_aFilm and culture series _923578
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2lcc _cBK
946			_irmza
999			_c121475 _d121475