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007			ta
008			960731s1997 maua b 001 0 eng
010			_a 96030880
020			_a0240802551 (pbk. : alk. paper)
020			_a9780240802558 (pbk. : alk. paper)
040			_aDLC _cDLC _dDLC _beng
041			_aeng
050	1	4	_aTR 899 _bD175t 1997
082	0	0	_a778.5/235
100	1		_aDancyger, Ken, _d1945- _931869
245	1	4	_aThe technique of film and video editing : _btheory and practice / _cKen Dancyger.
250			_a2nd edition
260			_aBoston : _bFocal Press, _c1997.
300			_axix, 387 pages : _billustrations ; _c24 cm.
504			_aIncludes bibliographical references (pages 368-379) and index.
505	0		_aAcknowledgments* Introduction* History of Film Editing* The Silent Period* The Early Sound Film* The Influence of Documentary* The Influence of the Popular Arts* Editors Who Became Directors* Experiments in Editing: Alfred Hitchcock* New Technologies* International Advances* The Influence of Television and Theatre* New Challenges to Filmic Narrative Conventions* Editing for the Genre* Action* Dialogue* Comedy* Documentary* Imaginative Documentary* Ideas and Sound* Principles of Editing* The Picture Edit and Continuity* The Picture Edit and Pace* The Sound Edit and Clarity* The Sound Edit and Creative Sound* Conclusion* Appendix A: Cutting Room Procedures* Appendix B: Filmography* Glossary* Selected Bibliography* Index
520			_a"The Technique of Film and Video Editing is the best training for directors-to-be, providing a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Analyses of and photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional and student editor. Practical skills are grounded by an exposition of the ideas and styles of editing, through which the director can understand the visual tools at his/her disposal. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice." "The new material in the second edition emphasizes how new technology has influenced the art of editing. New topics include the MTV style, psychoanalytic ideas, and the appropriation of style over content. New filmmakers whose work is examined in this edition include Spike Lee, Julie Dash, Atom Egoyan, Quentin Tarantino, and Oliver Stone."--Jacket
650		0	_aMotion pictures _xEditing.
650		4	_aCinematografía _9173
650		4	_aCine _xEdición. _91481
650		0	_aVideo tapes _xEditing.
650		4	_aVideo digital _xEdición _934420
650		4	_aCintas de video _xEdición _934419
650		4	_aCine _xProducción y dirección _999
906			_a7 _bcbc _corignew _d1 _eocip _f19 _gy-gencatlg
942			_2lcc _cBK
999			_c123006 _d123006