| 000 | 02003cam a2200373 a 4500 | ||
|---|---|---|---|
| 001 | 16031994 | ||
| 003 | BJBSDDR | ||
| 005 | 20250424131636.0 | ||
| 006 | a|||||r|||| 00| 0 | ||
| 007 | ta | ||
| 008 | 091222s2010 cau b 001 0 eng | ||
| 010 | _a 2009052479 | ||
| 020 | _a9780520262171 (pbk. : alk. paper) | ||
| 020 | _a0520262174 (pbk. : alk. paper) | ||
| 020 | _a9780520262164 (cloth : alk. paper) | ||
| 020 | _a0520262166 (cloth : alk. paper) | ||
| 040 |
_aDLC _cDLC _beng |
||
| 041 | _aeng | ||
| 050 | 1 | 4 |
_aPN 1998.3 _bG197c 2010 |
| 082 | 0 | 0 | _a791.4312/33092 |
| 100 | 1 |
_aGanguly, Keya _941678 |
|
| 245 | 1 | 0 |
_aCinema, emergence, and the films of Satyajit Ray / _cKeya Ganguly. |
| 260 |
_aBerkeley : _bUniversity of California Press, _c2010. |
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| 300 |
_axiii, 258 pages : _billustrations ; _c23 cm. |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aIntroduction : the light of the new moon -- Catastrophe and utopia : Ghare Baire, or the household goddess -- The (un)moving image : visuality and the modern in Charulata -- Devi : documenting the decadent, incarnating the modern -- The music room revisited : Jalsaghar, attraction, perception -- Take two : Mahanagar and cinematic imperfection -- Cinema and universality : Apur Sansar -- Conclusion : lateness and cinema. | |
| 520 | _aPresents a study that situates one of the world's greatest filmmakers, the Indian director Satyajit Ray's work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or 'committed' art. | ||
| 600 | 1 | 0 |
_aRay, Satyajit, _d1921-1992 _xCriticism and interpretation. |
| 600 | 1 | 4 |
_aRay, Satyajit, _d1921-1992 _xCrÃtica e interpretación _941684 |
| 650 | 4 |
_aProductores y directores de cine _92429 _zIndia |
|
| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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| 942 |
_2lcc _cBK |
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| 999 |
_c123194 _d123194 |
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