000			01927nam a22002297a 4500
003			BJBSDDR
005			20250827122849.0
007			ta
008			250827s2023 nyu||||| |||| 00| 0 eng d
020			_a9781647293222
020			_a 1647293227
040			_bspa _cBJBSDDR
041			_aeng
050			_bH348c 2006
100	1		_aHashimoto, Shinobu _944599
245	1	0	_aCompound cinematics : _bAkira Kurosawa and I/ _cShinobu Hashimoto
260			_aNew York : _bKodansha ; _c 2023
300			_a259 pages : _billustrations ; _c21 cm
505			_a "One blow" Tokyo march The birth of Rashomon. My comrade at the Disabled veterans' rehabilitation facility ; My lifelong mentor, Mansaku Itami The man called Akira Kurosawa. Rashomon ; Ikiru ; Seven samurai I ; Seven samurai II The lights and shadows of collaborative screenplays. The "writer leading off" approach ; The straight-to-final draft Hashimoto Pro and Mr. Kurosawa. Two assistant directors ; Kagemusha ; Ran What followed for Mr. Kurosawa Epilogue. Ryuzo Kikushima ; Hideo Oguni ; Akira Kurosawa
520			_aAny list of Japan's greatest screenplay writers would feature Shinobu Hashimoto near or at the top. This memoir, focusing on his collaborations with Akira Kurosawa, a gifted scenarist in his own right, offers an indispensable insider account and invaluable insights into the unique process that is writing for the screen. Now in paperback, Compound cinematics also stands as a moving reckoning of sorts. The vast majority of Kurosawa's oeuvre was filmed from screenplays that the director co-wrote with a stable of stellar scenarists. Among these was the author, who caught the filmmaker's attention with a script that eventually turned into Rashomon, and who went on to play an integral part in developing and writing two of the grandmaster's crowning jewels--Ikiru and Seven samurai--and other cineaste favorites
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999			_c124948 _d124948