000			02237cam a2200433M 4500
001			83963
005			20230410124112.0
008			091213s20072006nyuab sb 001 0 eng d
035			_a(OCoLC)ocn485907407
040			_aDKDLA _bdan _cDKDLA
020			_a019514645X (hft.)
020			_a9780195146455 (hft.)
020			_a0195146441 (hft.)
020			_a9780195146448 (hft.)
029	0		_aDKDLA _b34772347
035			_a(OCoLC)485907407
049			_aGRAL
050	1	4	_aML 355 _bM322m 2007
100	1		_aMarcus, Scott Lloyd, _d1952
245	1	0	_aMusic in Egypt : _bexperiencing music, expressing culture / _cScott L. Marcus; foreword Bonnie C. Wade
260			_aNew York ; _aOxford : _bOxford University Press, _c2007 c2006
300			_a200 p. : _bill., map., + _e1 CD.; _c21cm.
440		0	_aGlobal music series
504			_aIncludes bibliographical references (p. 183- 195) and index
505	0		_aThe call to prayer: A communal endeavor-- The eastern Arab Melodic modes: The maqamat-- Madh: A genre of sufi religious music-- The eastern Arab rhythmic modes-- Upper Egyptian folk music for weddings and festivals: Mizmar ensembles-- Islam and music: is music Haram?-- Art music of the late-nineteenth / early-twentieth centuries: Takht ensembles-- Art music of the mid-twentieth century: Umm Kulthum and the long-song tradition-- Zaffa (wedding procession ) Music-- Present- Day pop music: Hakim and the sha'bi and shababi genres.
520	8		_aSummary: Highlights the dynamic nature of Middle Eastern music culture and also explores the impact of modernization and westernization on musical culture, as well as music's role in helping to create a regional, national, and community identity. It concentrates on the performer musician and the fieldworker.
650		0	_aMusic _zEgypt _xHistory and criticism
650		0	_aMusic _xSocial aspects _zEgypt
650		0	_aMusic _xReligious aspects _yIslam
653			_aPopular music.
651		4	_aMúsica _zEgipto _xHistoria y crítica
651		4	_aMúsica _xAspecto social _zEgipto
650		0	_aMúsica _xAspecto religioso _yIslam
653			_aMúsica popular
700	1		_aWade, Bonni C. _eforwd.
942			_2lcc _cbk
994			_aC0 _bDRFGD
946			_arpeña
999			_c71047 _d71047