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010			_a 99211607
035			_a(OCoLC)ocm41254268
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050	1	4	_aND 1488 _bG132c 1999
082	0	0	_a701/.85
049			_aGRAL
100	1		_aGage, John.
245	1	0	_aColor and meaning : _bart, science, and symbolism / _cJohn Gage.
246	3		_aColour and meaning
260			_aBerkeley ; _aLos Angeles : _bUniversity of California Press, _c1999.
300			_a320 p. : _bill. (some col.) ; _c27 cm.
500			_aPublished by arrangement with Thames and Hudson.
504			_aIncludes bibliographical references (p. 306-311) and index.
505	0		_aThe contexts of colour -- Colour and culture -- Colour in art and its literature -- Colour in history: relative and absolute -- Colour-words and colour-patches -- Ghiberti and light -- Color Colorado: cross-cultural studies in the ancient Americas -- The fool's paradise -- Newton and painting -- Blake's Newton -- Magilphs and mysteries -- Turner as a colourist -- 'Two different worlds': Runge, Goethe and the sphere of colour -- Mood indigo: from the blue flower to the blue rider -- Chevreul between classicism and romanticism -- The technique of Seurat: a reappraisal -- Seurat's silence -- Matisse's black light -- Colour as language in early abstract painting -- A psychological background for early modern colour -- Making sense of colour: the synaesthetic dimension.
520			_aIs color just a physiological reaction, a sensation resulting from different wave lengths of light on receptors in our eyes? Does color have an effect on our feelings? The phenomenon of color is examined in extraordinary new ways in John Gage's latest book. His pioneering study is informed by the conviction that color is a contingent, historical occurrence whose meaning, like language, lies in the particular contexts in which it is experienced and interpreted. Gage covers topics as diverse as the optical mixing techniques implicit in mosaic; medieval color-symbolism; the equipment of the manuscript illuminator's workshop, the color languages and color practices of Latin America at the time of the Spanish Conquest; the earliest history of the prism; and the color ideas of Goethe and Runge, Blake and Turner, Seurat and Matisse. From the perspective of the history of science, Gage considers the bearing of Newton's optical discoveries on painting, the chemist Chevreul's contact with painters and the growing interest of experimental psychologists in the topic of color in the late nineteenth century, particularly in relation to synaesthesia. He includes an invaluable overview of the twentieth-century literature that bears on the historical interpretation of color in art. Gage's explorations further extend the concepts he addressed in his prize-winning book, Color and Culture. Includes information on Georges Seurat, Paul Signac, rainbow, Ogden Rood, Camille Pissaro, Sir Isaac Newton, Piet Mondrian, Henri Matisse, Edouard Manet, Kasimir Malevich, light, Leonardo da Vinci, Wassily Kandinsky, Charles Henry, Hermann von Helmholz, Johann Wolfgang von Goethe, George Field, Felix Feneon, G.T. Fechner, the four elements, Theo van Doesburg, Renee Descartes, Giovanni Battista Della Porta, Robert Delaunay, Eugene Delacroix, darkness, Michel Eugene Chevreul, Charles Blanc, William Blake, Bauhaus, Roger Bacon, Aristotle, Alhazen (Ibn al Haytham), Albertus Magnus, Leon Battista Alberti, Josef Albers, etc.
520			_aIncludes information on Georges Seurat, Paul Signac, rainbow, Ogden Rood, Camille Pissaro, Sir Isaac Newton, Piet Mondrian, Henri Matisse, Edouard Manet, Kasimir Malevich, light, Leonardo da Vinci, Wassily Kandinsky, Charles Henry, Hermann von Helmholz, Johann Wolfgang von Goethe, George Field, Felix Feneon, G.T. Fechner, the four elements, Theo van Doesburg, Renee Descartes, Giovanni Battista Della Porta, Robert Delaunay, Eugene Delacroix, darkness, Michel Eugene Chevreul, Charles Blanc, William Blake, Bauhaus, Roger Bacon, Aristotle, Alhazen (Ibn al Haytham), Albertus Magnus, Leon Battista Alberti, Josef Albers, black blue, brown, gold, green, grey, purple, red, white, yellow, warm, cool, hot, cold, color of flowers, etc.
650		0	_aColor in art.
650		0	_aColor _xPsychological aspects.
650		0	_aColor _xPhysiological effect.
650		4	_aColor en arte.
650		4	_aColor _xAspectos psicologicos
650		4	_aColor _xFisiologicos efectos.
856	4	2	_3Contributor biographical information _uhttp://www.loc.gov/catdir/bios/ucal052/99211607.html
856	4	2	_3Publisher description _uhttp://www.loc.gov/catdir/description/ucal042/99211607.html
938			_aBaker & Taylor _bBKTY _c55.00 _d41.25 _i0520220390 _n0003233394 _sactive
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938			_aYBP Library Services _bYANK _n1688505
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