| 000 | 02956cam a22003374a 4500 | ||
|---|---|---|---|
| 001 | 122132 | ||
| 005 | 20230410130602.0 | ||
| 008 | 110610s2012 nyu b 001 0 eng | ||
| 010 | _a 2011024177 | ||
| 020 | _a9780415968133 (hardcover : alk. paper) | ||
| 020 | _a9780415968140 (pbk. : alk. paper) | ||
| 020 | _a9780203152508 (e-book : alk. paper) | ||
| 040 |
_aDLC _cDLC _dDLC |
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| 050 | 1 | 4 |
_aPN 1993.5 _bE49p 2012 |
| 082 | 0 | 0 | _a791.430973 |
| 100 | 1 | _aElsaesser, Thomas. | |
| 245 | 1 | 4 |
_aThe persistence of Hollywood / _cby Thomas Elsaesser. |
| 260 |
_aNew York, NY : _bRoutledge, _c2012. |
||
| 300 |
_aviii, 395 p. ; _c26 cm. |
||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aFlashback: of objects of love and objects of study. Film studies in Britain: cinephilia, screen theory and cultural studies -- The name for a pleasure that has no substitute: Vincente Minnelli -- All the lonely places: the heroes of Nicholas Ray -- Sam Fuller's productive pathologies: the hero as (his own best) enemy -- Cinephilia: or the uses of disenchantment -- Genius of the system. The persistence of Hollywood, Part I: the continuity principle -- Why Hollywood? -- Narrative cinema and audience aesthetics: the mise-en-scáene of the spectator -- Film as system: or how to step through an open door -- Gangsters and grapefruits: the public enemy -- Studio and genre: auteurs maudits, mavericks and eminent Europeans. -- Transatlantic triangulations: William Dieterle and the Warner Bros biopics -- Welles and virtuosity: Citizen Kane as character-mask -- The dandy in Hitchcock -- Too big and too close: Alfred Hitchcock and Fritz Lang -- Robert Altman's Nashville: putting on the show -- Stanley Kubrick's prototypes: the author as world-maker -- Genie out of the bottle: the return of the system as auteur? -- The pathos of failure: notes on the unmotivated hero -- Auteur cinema and the new economy Hollywood -- The love that never dies: Francis Ford Coppola and Bram Stoker's Dracula -- The blockbuster as time machine -- Auteurism today: signature products, concept-authors and access for all: Avatar -- The persistence of Hollywood. Digital Hollywood: between truth, belief and trust -- The persistence of Hollywood, Part II: reflexivity, feedback and self-regulation. | |
| 520 | _aExamines various paradigms for reading Hollywood and its cinema. This volume also explores a range of topics from cinephilia and auteurs - Nicholas Ray, Sam Fuller, Orson Welles, Alfred Hitchcock, among others - to melodrama, digital cinema, and even time- travel films. | ||
| 650 | 0 |
_aMotion pictures _zUnited States. |
|
| 650 | 0 |
_aMotion picture industry _zUnited States. |
|
| 650 | 4 | _a20160300. | |
| 650 | 4 |
_aIndustria cinematográfica _zEstados Unidos. |
|
| 650 | 4 |
_aCine estadounidense _xTemas, motivos. |
|
| 650 | 4 |
_aMafia _xInfluencia _zHollywood (Estados Unidos) |
|
| 650 | 4 |
_aCine _zHollywood (Estados Unidos) |
|
| 942 |
_2lcc _cbk |
||
| 999 |
_c76645 _d76645 |
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