| 000 | 01576cam a2200337 a 4500 | ||
|---|---|---|---|
| 999 |
_c76677 _d76677 |
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| 003 | BJBSDDR | ||
| 005 | 20230410130603.0 | ||
| 007 | ta | ||
| 008 | 971107s1998 enka 000 0 eng | ||
| 020 | _a052162388X (hbk. : alk. paper) | ||
| 020 | _a0521625521 (pbk. : alk. paper) | ||
| 040 |
_aLCD _bspa _cLCD |
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| 041 | _aspa | ||
| 043 | _aeng | ||
| 050 | 1 | 4 |
_aPN 1993.5 _bG524h 1998 |
| 082 | 0 | 0 | _a791.43 |
| 100 | 1 |
_aGirgus, Sam B., _d1941- |
|
| 245 | 1 | 0 |
_aHollywood renaissance : _bthe cinema of democracy in the era of Ford, Capra, and Kazan / _cSam B. Girgus. |
| 260 |
_aCambridge [England] ; _aNew York : _bCambridge University Press, _c1998. |
||
| 300 |
_axii, 258 p. : _bill. ; _c24 cm. |
||
| 504 | _aFilmography: 248-250. | ||
| 504 | _aIncludes bibliographical references (p. 229-247) and index. | ||
| 505 | _a1. Ethnics and Roughnecks: The making of the Hollywood renaissance; 2. The cinema for democracy: John Ford; 3. Gender and American character: Frank Capra; 4. Revisioning heroic masculinity: Hawks and Zinnemann; 5. An American conscience: Elia Kazan; 6. Losing tomorrow: George Stevens; Conclusion. | ||
| 520 | _aA study of how films from the late 1930s to the early 60s portrayed the American ideal. | ||
| 650 | 0 |
_aMotion pictures _zUnited States _xHistory. |
|
| 650 | 0 |
_aMotion picture producers and directors _zUnited States. |
|
| 856 | 4 | 1 |
_3Table of contents _uhttp://www.loc.gov/catdir/toc/cam024/97047090.html |
| 856 | 4 | 2 |
_3Publisher description _uhttp://www.loc.gov/catdir/description/cam028/97047090.html |
| 942 |
_2lcc _cBK |
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| 946 | _ilmm | ||