| 000 | 02478cam a2200325 a 4500 | ||
|---|---|---|---|
| 999 |
_c76749 _d76749 |
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| 003 | BJBSDDR | ||
| 005 | 20230410130605.0 | ||
| 007 | ta | ||
| 008 | 010411s2002 mdua b 001 0 eng | ||
| 020 | _a0801868475 | ||
| 020 | _a9780801868474 | ||
| 040 |
_aDLC _cDLC _bspa |
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| 041 | _aeng | ||
| 050 | 1 | 4 |
_aPN 1993.5 _bM322a 2002 |
| 082 | 0 | 0 | _a791.430945 |
| 100 | 1 |
_aMarcus, Millicent Joy, _d1946- |
|
| 245 | 1 | 0 |
_aAfter Fellini : _bnational cinema in the postmodern age / _cMillicent Marcus. |
| 260 |
_aBaltimore : _bJohns Hopkins University Press, _c2002. |
||
| 300 |
_axi, 377 p. : _bill. ; _c23 cm. |
||
| 504 | _aIncludes bibliographical references (p. 355-364) and index. | ||
| 504 | _aVideography: p. 365. | ||
| 505 | _aRoberto Rossellini's Paisan : national identity by means of montage -- Luchino Visconti's Bellissima : the diva, the mirror, and the screen -- Bernardo Bertolucci's Last emperor : powerless in Peking -- Gabriele Salvatores's Mediterraneo : where nationalism surrenders to utopian myth -- Roberto Faenza's Sostiene Pereira : from Salazar's Lisbon to Mussolini's Rome by way of France -- Francesco Rosi's Three brothers : the family of Italy in transition -- Ricky Tognazzi's La scorta : guarding the alternative body of power -- Gianni Amelio's stolen children : the gaze of innocence, lost and found -- Federico Fellini's Ginger and Fred : postmodern simulation meets Hollywood romance -- Giuseppe Tornatores' Cinema paradiso : filmic fascination and the art of nostalgia -- Maurizio Nichetti's Icicle thief : travels in hyporeality -- Roberta Torre's Tano da morire : postmodern pastiche, the sceneggiata, and the view -- Of the mafia from below -- Francesco Rosi's The truce : filming the text of witness -- Roberto Benigni's Life is beautiful : the serious humor of a controversial comedy manqué -- Nanni Moretti's Caro diario : reclaiming the body on screen. | ||
| 520 | _aExamines the Italian films of the last two decades of the 20th century which managed to transcend the decline of Italian cinema's prominence within the industry. The author interprets, in detail, a body of work which established an independent profile for the Italian cinema of the 80s and 90s. | ||
| 650 | 0 |
_aMotion pictures _zItaly. |
|
| 650 | 4 |
_aCine italiano _923746 |
|
| 650 | 4 |
_aCine _xProducción y dirección _zItalia _9100 |
|
| 650 | 4 |
_aNeorrealismo (Cine) _zItalia _923747 |
|
| 650 | 4 |
_aCrítica de cine _zItalia _93658 |
|
| 942 |
_2lcc _cBK |
||