| 000 | 01505cam a2200325 a 4500 | ||
|---|---|---|---|
| 001 | 122089 | ||
| 005 | 20230410130614.0 | ||
| 008 | 871109s2006 enka b 001 0 eng | ||
| 010 | _a 87031350 | ||
| 020 | _a0719073758 | ||
| 020 | _a9780719073755 | ||
| 050 | 1 | 4 |
_aPN 1994 _bL317f 2006 |
| 082 | 0 | 0 | _a791.43 |
| 100 | 1 | _aLapsley, Robert. | |
| 245 | 1 | 0 |
_aFilm theory : _ban introduction / _cRobert Lapsley and Michael Westlake. |
| 250 | _a2nd ed | ||
| 260 |
_aManchester, UK : _bManchester University Press ; _aNew York : _bDistributed exclusively in the USA and Canada by St. Martin's Press, _c2006 |
||
| 300 |
_axvi, 317 p. : _b1 ill. ; _c23 cm. |
||
| 504 | _aIncluye referencias bibliográficas (p. [278]-307) e índice. | ||
| 505 | _a1. Politics -- 2. Semiotics -- 3. Psychoanalysis -- 4. Authorship -- 5. Narrative -- 6. Realism -- 7. The avant-garde -- Film theory : a retrospect. | ||
| 520 | _a"Film theory: an introduction offers a highly readable account of film theory and is an indispensable resource for students. The discussion ranges from the late 1960s to the present, a period in which a number of conceptual strands, notably politics, semiotics and psychoanalysis were woven together in an ambitious synthesis."--Jacket. | ||
| 650 | 0 | _aMotion pictures. | |
| 650 | 4 | _a20160300. | |
| 650 | 4 | _aCine. | |
| 650 | 4 |
_aCine _xHistoria y crítica. |
|
| 650 | 4 |
_aCine _vTeorías. |
|
| 650 | 4 | _aLenguaje cinematográfico. | |
| 700 | 1 | _aWestlake, Michael. | |
| 942 |
_2lcc _cbk |
||
| 999 |
_c76989 _d76989 |
||