000 01505cam a2200325 a 4500
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008 871109s2006 enka b 001 0 eng
010 _a 87031350
020 _a0719073758
020 _a9780719073755
050 1 4 _aPN 1994
_bL317f 2006
082 0 0 _a791.43
100 1 _aLapsley, Robert.
245 1 0 _aFilm theory :
_ban introduction /
_cRobert Lapsley and Michael Westlake.
250 _a2nd ed
260 _aManchester, UK :
_bManchester University Press ;
_aNew York :
_bDistributed exclusively in the USA and Canada by St. Martin's Press,
_c2006
300 _axvi, 317 p. :
_b1 ill. ;
_c23 cm.
504 _aIncluye referencias bibliográficas (p. [278]-307) e índice.
505 _a1. Politics -- 2. Semiotics -- 3. Psychoanalysis -- 4. Authorship -- 5. Narrative -- 6. Realism -- 7. The avant-garde -- Film theory : a retrospect.
520 _a"Film theory: an introduction offers a highly readable account of film theory and is an indispensable resource for students. The discussion ranges from the late 1960s to the present, a period in which a number of conceptual strands, notably politics, semiotics and psychoanalysis were woven together in an ambitious synthesis."--Jacket.
650 0 _aMotion pictures.
650 4 _a20160300.
650 4 _aCine.
650 4 _aCine
_xHistoria y crítica.
650 4 _aCine
_vTeorías.
650 4 _aLenguaje cinematográfico.
700 1 _aWestlake, Michael.
942 _2lcc
_cbk
999 _c76989
_d76989