000			01935cam a2200421 a 4500
001			13472386
003			BJBSDDR
005			20240926114500.0
007			ta
008			040128s2009 maua b 001 0 eng d
010			_a 2004101196
015			_aGBA484396 _2bnb
016	7		_a013046450 _2Uk
020			_a0312487258
020			_a9780312487256 (pbk)
035			_a(CStRLIN)CSCWOCM56503889-B
035			_a(CLSU) (Sirsi)ocm56503889
040			_aTEF _cTEF _dUKM _dOCL _dDLC _beng
041			_aeng
042			_alccopycat
050	1	4	_aPN 1994 _bP564f 2009
082	0	0	_a791.43
100	1		_aPhillips, William H. _q(William Hewitt), _d1940- _938616
245	1	0	_aFilm : _ban introduction / _cWilliam H. Phillips.
250			_afourth edition
260			_aBoston : _bBedford/St. Martin's, _c2009
300			_axxv, 726 pages, 16 unnumbered pages of plates : _billustrations (some color) ; _c24 cm.
504			_aIncludes bibliographical references and index.
505	0		_aMise en scène Cinematography Editing Sound Sources for fictional films Components of fictional films Types of fictional films Documentary films Experimental, hybrid, and animated films Understanding films through contexts Thinking about films Reading and writing about films A sample description and analysis : The player Appendices : A chronology : film in context (1895-2008) Illustrated glossary How to read film credits
520			_aThis clear, well illustrated text takes the reader through the basics of film analysis, drawing on a wide range of film for discussion. Questions of genre and the contexts and meanings of film are considered
650		0	_aMotion pictures.
650		4	_aCine _919
650		0	_aCinematography.
650		4	_aCinematografía _9173
906			_a7 _bcbc _ccopycat _d3 _eepcn _f20 _gy-gencatlg
942			_2lcc _cBK
999			_c77000 _d77000