000			01710cam a2200349 a 4500
001			104376
003			BJBSDDR
005			20240926113411.0
008			980811s1999 maua b 001 0 eng
010			_a 98087541
020			_a0312178182 (pbk. : acid-free paper)
020			_a9780312178185 (pbk. : acid-free paper)
035			_a(DLC) 98087541
035			_a150333
040			_aDLC _cDLC _dDLC _beng
041			_aeng
050	1	4	_aPN 1994 _bP564f 1999
082	0	0	_a791.43
100	1		_aPhillips, William H. _q(William Hewitt), _d1940- _938616
245	1	0	_aFilm : _ban introduction / _cWilliam H. Phillips.
260			_aBoston : _bBedford/St. Martin's, _c1999.
300			_axxi, 599 pages : _billustrations (some color) ; _c24 cm.
504			_aIncludes bibliographical references and index.
505	0		_aThe expressiveness of film techniques Mise en scene Cinematography Editing Sound Types of films Sources for fictional films Types of fictional films Characteristics of fictional films Alternatives to live-action fictional films Responses to films Understanding films through contexts Viewer and film Analysis and synthesis: The player Appendices Studying films: reading, thinking, researching, and writing A chronology: film in context, 1895-1998 How to read film credits
520			_aThis clear, well illustrated text takes the reader through the basics of film analysis, drawing on a wide range of film for discussion. Questions of genre and the contexts and meanings of film are considered.
650		0	_aMotion pictures.
650		0	_aCinematography.
650		4	_aCine _919
650		4	_aCinematografía _9173
942			_2lcc _cBK
946			_aFHM
999			_c77017 _d77017