| 000 | 06968cam a2200373 a 4500 | ||
|---|---|---|---|
| 999 |
_c77036 _d77036 |
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| 003 | BJBSDDR | ||
| 005 | 20230410130615.0 | ||
| 007 | ta | ||
| 008 | 070829s2008 nyu o 001 0 eng | ||
| 020 | _a9781598530223 | ||
| 020 | _a1598530224 | ||
| 029 | 1 |
_aAU@ _b000043069859 |
|
| 029 | 1 |
_aHEBIS _b20653177X |
|
| 035 | _a(OCoLC)ocn166359971 | ||
| 035 | _a(OCoLC)166359971 | ||
| 040 |
_aDLC _cDLC _bspa |
||
| 041 | _aspa | ||
| 049 | _aGRAL | ||
| 050 | 1 | 4 |
_aPN 1995 _bA512 2008 |
| 082 | 0 | 0 | _a791.43/75 |
| 245 | 0 | 0 |
_aAmerican movie critics : _ban anthology from the silents until now / _cedited by Phillip Lopate. |
| 250 | _aExpanded ed., 1st pbk. ed. | ||
| 260 |
_aNew York : _bLibrary of America, _cc2008. |
||
| 300 |
_axxix, 760 p. ; _c24 cm. |
||
| 500 | _aIncludes index. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tThe photoplay of action ; _tThe artistic position of Douglas Fairbanks and The thief of Bagdad production / _rVachel Lindsay -- _tThe function of the photoplay / _rHugo Mèunsterberg -- _tThe cabinet of Dr. Caligari ; _tNanook of the north ; _tA woman of Paris ; _tManhandled ; _tThe temptress ; _tWhat price glory? / _rCarl Sandburg -- _tThe ten commandments ; _tGreed / _rRobert E. Sherwood -- _tThe new Chaplin comedy (The gold rush) / _rEdmund Wilson -- _tfrom Appendix from Moronia : note on technic / _rH.L. Mencken -- _tThe passion of Joan of Arc / _rH.D. -- _tThe "talkies" / _rAlexander Bakshy -- _t"A" in the art of the movie and kino ; _tRemarks of D.W. Griffith / _rHarry Alan Potamkin -- _tfrom An hour with the movies and the talkies / _rGilbert Seldes -- _tAnna Christie ; _tGood art, good propaganda / _rPare Lorentz -- _tKing Kong ; _tThe invisible man / _rWilliam Troy -- _tParachute jumper ; _tHallelujah I'm a bum ; _tLadies they talk about ; _tOur betters ; _tKing Kong ; _tNight flight ; _tCamille ; _tThe last of Mrs. Cheyney ; _tPersonal property ; _tAnother dawn ; _tA day at the races / _rCecilia Ager -- _tThe devil is a woman ; _tThe future of color / _rAndrâe Sennwald -- _tThe film critic of tomorrow / _rRudolf Arnheim -- _tDancing in films / _rLincoln Kierstein -- _tThe charge of the light brigade / _rMeyer Levin-- It's up to the kiddies (Stand up and cheer) ; _tStars and garters (Belle of the nineties) ; _tArtist among the flickers (Three songs about Lenin) ; _tArms and men (Lives of a Bengal lancer) ; _tWords and music (Broadway melody of 1936) ; _tIn a dry month (Hands across the table) ; _tCagney : great guy ; _tThrough the looking glass (Stage door) ; _tWalt Disney's Grimm reality (Snow White and the seven dwarfs) ; _tHitchcock in Hollywood (Foreign correspondent) ; _tFor better, for worse (Time in the sun) ; _tHandsome is (High Sierra) ; _tCitizen Welles ; _tWelles and his wonders II / _rOtis Ferguson -- _tGone with the wind is more dangerous than Birth of a nation / _rMelvin B. Tolson -- _tGriffith and the technical innovations / _rPaul Goodman -- _tThe song of Bernadette ; _tAnnual wrap-up of 1944 ; _tA great film (The story of G.I. Joe) ; _tThe lost weekend ; _tShoeshine ; _tDay of wrath / _rJames Agee -- _tIntroduction to From Caligari to Hitler / _rSiegfried Kracauer -- _tThe gangster as tragic hero ; _tA feeling of sad dignity (Limelight) / _rRobert Warshow -- _tThe shadow and the act / _rRalph Ellison -- _tGot a match? / _rMartha Wolfenstein and Nathan Leites -- _tThe reluctant war hero (Casablanca) / _rBarbara Deming -- _tUnderground films ; _tWhite elephant art vs. termite art ; _tKitchen without kitsch (with Patricia Patterson) / _rManny Farber -- _tDouble into quadruple indemnity ; _tWarhol's new sex film (Blue movie) / _rParker Tyler -- _tA king in New York / _rEugene Archer -- _tPanther Panchali and Aparajito ; _tA note on la belle, la perfectly swell, romance / _rArlene Croce -- _tThe creative joy of the independent film-maker ; _tRenoir and plotless cinema ; _tMarilyn Monroe and the loveless world (The misfits) ; _tOn Andy Warhol's Sleep ; _tNot everything that is fun is cinema (A hard day's night) ; _tOn Bresson and Une femme douce / _rJonas Mekas -- _tThe misfits ; _tL'avventura ; _tLola Montes / _rStanley Kauffmann -- _tThe birds ; _tLa guerre est finie ; _tFalstaff and A countess from Hong Kong ; _tScience fiction : The Forbin project ; _tBilly Wilder ; _tBilly Wilder reconsidered ; _tJohn Wayne's strange legacy / _rAndrew Sarris -- _tThe imagination of disaster / _rSusan Sontag -- _tBand of outsiders ; _tFunny girl ; _tTrash, art, and the movies ; _tMcCabe & Mrs. Miller / _rPauline Kael -- _t8 1/2 / _rDwight Macdonald -- _tCold blood : cheap fiction / _rRenata Adler -- _tThe runners / _rDonald Phelps -- _tMidnight cowboy ; _tThe wild bunch ; _tEasy rider ; _tZ ; _tThey shoot horses, don't they? ; _tPatton ; _tZabriskie Point ; _tIs Fiddler more De Mille than Sholem Aleichem? / _rVincent Canby -- _tThese are a few of my favorite things ; _tBuänuel / _rWilliam S. Pechter -- _tThe woman's film ; _tSophisticated interiors ; _tMelancholy males or movies about men turning 50 / _rMolly Haskell -- _tNotes on film noir / _rPaul Schrader -- _tThe last picture show ; _tJaundice of the soul (Chinatown) / _rJohn Simon -- _tBlue notes / _rBrendan Gill -- _tM*A*S*H / _rRichard Corliss -- _tfrom The devil finds work (Lady sings the blues) / _rJames Baldwin -- _tThe bitter tears of Petra von Kant / _rPenelope Gilliatt -- _tThe Keaton quiet / _rWalter Kerr -- _tBad movies ; _tThe film critic of tomorrow, today / _rJ. Hoberman -- _tCons and pros (The lady Eve) / _rStanley Cavell -- _tBlue velvet ; _tSam Fuller : movie bozo / _rRichard Schickel -- _tRebirth of a nation (Do the right thing) ; _tMalcolm X'd again (Malcolm X) / _rArmond White -- _tThe real thing / _rDavid Denby -- _tThe Italian system / _rGeoffrey O'Brien -- _tA boy named Sioux (Dances with wolves) / _rPaul Rudnick (aka Libby Gelman-Waxner) -- _tCary Grant ; _tHoward Hawks / _rDavid Thomson -- _tCool cynicism : Pulp fiction / _rBell Hooks -- _tTitanic sinks again (spectacularly) / _rKenneth Turan -- _tIn dreams begin responsibilities (Eyes wide shut) / _rJonathan Rosenbaum -- _tTrouble in paradise / _rRoger Ebert -- _tGladiator / _rStuart Klawans -- _tImitation of life / _rJames Harvey -- _tOf love and the city (In the mood for love) / _rKent Jones -- _tOn Val Lewton's The seventh victim / _rJohn Ashbery -- _tRatpacks and pack males / _rCarrie Rickey -- _tSaying "ain't" and playing "Dixie" : rhetoric and comedy in Judge Priest / _rGilberto Perez -- _tGood and evil locked in violent showdown (The passion of the Christ) ; _tThe most overrated film of the year (Sideways) / _rA.O. Scott -- _tHigh hopes (The royal Tenenbaums) ; _tNot-so-nice kitty (The cat in the hat) ; _tOnce disaster hits, it seems never to end (A history of violence) / _rManohla Dargis -- _tUnited 93 / _rStephanie Zacharek -- _tTo catch a predator (Zodiac) / _rNathan Lee -- _tNew media and old storytelling / _rDavid Bordwell. |
| 650 | 0 |
_aMotion pictures _vReviews. |
|
| 650 | 4 |
_aCine _91863 _xHistoria y crítica |
|
| 650 | 4 |
_aImagenes en movimiento _vCriticas. |
|
| 700 | 1 |
_aLopate, Phillip, _d1943- _917686 _eeditor |
|
| 942 |
_2lcc _cBK |
||
| 946 | _almm | ||