000			02076cam a2200385 a 4500
001			11867460
003			BJBSDDR
005			20240208152052.0
007			ta
008			991213s2000 nyu b 001 0 eng
010			_a 99087737
020			_a9780231115179 (paper : alk. paper)
020			_a0231115172 (paper : alk. paper)
020			_a0231115164 (cloth : alk. paper)
020			_a9780231115162 (cloth : alk. paper)
040			_aDLC _cDLC _dDLC _beng
041			_aeng
050	1	4	_aPN 1995.7 _bL349s 2000
082	0	0	_a791.43/09
100	1		_aLastra, James. _933932
245	1	0	_aSound technology and the American cinema : _bperception, representation, modernity / _cJames Lastra.
260			_aNew York : _bColumbia University Press, _cc2000.
300			_ax, 270 pages ; _c23 cm.
440	0		_aFilm and culture series _923578
504			_aIncludes bibliographical references (p. [223]-263) and index.
505	0		_a1. Inscriptions and Simulations: The Imagination of Technology 2. Performance, Inscription, Diegesis: The Technological Transformation of Representational Causality 3. Everything But the Kitchen Sync: Sound and Image Before the Talkies 4. Sound Theory 5. Standards and Practices: Aesthetic Norm and Technological Innovation in the American Cinema 6. Sound Space and Classical Narrative
520			_aRepresentational technologies including photography, phonography, and the cinema have helped define modernity itself. James Lastra argues that these technologies allow us to track the links between capital, science, and cultural practices.
650		0	_aSound motion pictures _xHistory.
650		0	_aSound _xRecording and reproducing _xHistory.
650		4	_aCine sonoro _xHistoria _919751
650		4	_aSonido _xGrabación y reproducción _930323
906			_a7 _bcbc _corignew _d1 _eocip _f19 _gy-gencatlg
942			_2lcc _cBK
999			_c77211 _d77211