| 000 | 01556cam a22002534a 4500 | ||
|---|---|---|---|
| 001 | 122953 | ||
| 005 | 20230410130640.0 | ||
| 008 | 100629s2010 enka b 000 0 eng | ||
| 035 | _a16308765 | ||
| 010 | _a 2010027530 | ||
| 020 | _a9781844572922 (pbk.) | ||
| 050 | 1 | 4 |
_aPN 1997 _bL673g 2010 |
| 082 | 0 | 0 | _a791.4372 |
| 100 | 1 |
_aLewis, Jon E., _d1961- |
|
| 245 | 1 | 4 |
_aThe godfather / _cJon Lewis. |
| 260 |
_aLondon ; _aNew York : _bBritish Film Institute ; _bPalgrave Macmillan, _c2010. |
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| 300 |
_a96 p. : _bill. (some col.) ; _c19 cm. |
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| 490 | 0 | _aBFI film classics | |
| 520 |
_a"Francis Ford Coppola's The Godfather (1972) marked a transition in American filmmaking, and its success as a work of art, as a creative property exploited by its studio, Paramount Pictures, as a model for aspiring filmmakers - changed Hollywood forever. Jon Lewis's study of the film looks at the significance of The Godfather in Hollywood's dramatic box-office turnaround in the 1970s and offers a critical and historical discussion of The Godfather's place within the crime and gangster film genre. Lewis focuses on the film as a commercial as well as an artistic landmark of American auteur cinema, as a singularly important film in Hollywood studio history and as a brilliant reworked modern genre picture that at once adopts and adapts the gangster film."-- _cProvided by publisher. |
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| 504 | _aIncluye bibliografías. | ||
| 630 | 0 | 0 | _aGodfather (Motion picture) |
| 630 | 0 | 4 |
_aEl padrino (Película cinematográfica) _xHistoria y crítica. |
| 942 |
_2lcc _cbk |
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| 999 |
_c77827 _d77827 |
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