| 000 | 01419cam a22003617i 4500 | ||
|---|---|---|---|
| 001 | 123158 | ||
| 003 | BJBSDDR | ||
| 005 | 20240905144944.0 | ||
| 007 | ta | ||
| 008 | 150527s2015 enk 001 0 eng d | ||
| 010 | _a 2015462980 | ||
| 015 |
_aGBB590979 _2bnb |
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| 020 | _a9781783350308 (hbk.) | ||
| 020 | _a178335030X (hbk.) | ||
| 035 | _a(OCoLC)ocn920834541 | ||
| 040 |
_beng _cDLC |
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| 041 | _aeng | ||
| 050 | 1 | 4 |
_aPN 2020 _bB598o 2015 |
| 082 | 0 | 0 | _a792 |
| 100 | 1 |
_aBillington, Michael Keith, _d1939- _938321 |
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| 245 | 1 | 4 |
_aThe 101 greatest plays : _bfrom antiquity to the present / _cMichael Billington. |
| 246 | 3 | _aOne hundred and one greatest plays | |
| 246 | 3 | _aHundred and one greatest plays | |
| 264 | 1 |
_aLondon : _bGuardian Books/Faber & Faber, _c2015. |
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| 300 |
_a464 pages ; _c24 cm |
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| 500 | _aIncludes index. | ||
| 520 | _aWhat makes a great play? Does the definition change with time and circumstance? Are certain common factors visible down the ages? In revising the canon The 101 Greatest Plays is bound to stimulate passionate argument, but first and foremost it is a celebration of the art of the dramatist. It is the product of a lifetime spent watching and reading, a record of the adventures of a soul amongst masterpieces. | ||
| 650 | 0 | _aTheater. | |
| 650 | 0 |
_aTheater _vReviews. |
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| 650 | 4 |
_aTeatro _9132 |
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| 650 | 4 |
_aTeatro _xReseƱas _98755 |
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| 942 |
_2lcc _cBK |
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| 999 |
_c78085 _d78085 |
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