| 000 | 01610cam a22003255i 4500 | ||
|---|---|---|---|
| 001 | 122152 | ||
| 005 | 20230410130649.0 | ||
| 008 | 150924s2011 enka 000 0 eng | ||
| 020 | _a9781906733940 | ||
| 020 | _a1906733945 | ||
| 020 | _a9781906733513 | ||
| 020 | _a9781906733506 | ||
| 020 | _a9781906733964 (e-book) | ||
| 040 | _aeng | ||
| 050 | 1 | 4 |
_aPN 2061 _bC777w 2011 |
| 082 | 0 | 0 | _a727.9 |
| 100 | 1 | _aCooper, Ian | |
| 245 | 1 |
_aWitchfinder Generall / _cIan Cooper. |
|
| 260 | 1 |
_aLeighton Buzzard [UK] : _bAuteur, _c2011. |
|
| 300 |
_a114 p. : _bill. ; _c14 cm. |
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| 490 | _aDevil's advocates. | ||
| 505 | _aIntroduction -- The place of the film -- Context, production and reception -- Analysis -- The influence of the film. | ||
| 520 | _aWitchfinder General (1968), known as The Conqueror Worm in America, was directed by Michael Reeves and occupies a unique place in British cinema. Equally praised and vilified, the film fictionalizes the exploits of Matthew Hopkins, a prolific, real-life ""witch hunter, "" during the English Civil War. For critic Mark Kermode, the release proved to be ""the single most significant horror film produced in the United Kingdom in the 1960s, "" while playwright Alan Bennett called the work ""the most persistently sadistic and rotten film I've ever seen."" Steadily gaining a cult reputation, unimp. | ||
| 650 | 0 | _aWitchfinder General (Motion picture : 1968) | |
| 650 | 0 |
_aMotion pictures _xHistory. |
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| 650 | 4 | _a20160300. | |
| 650 | 4 |
_aArtes escénicas _xEnseñanza. |
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| 650 | 4 |
_aCentros para artes escénicas _vProyectos. |
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| 942 |
_2lcc _cbk |
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| 999 |
_c78125 _d78125 |
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