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008			050510s2005 enk b 001 0 eng d
010			_a 2005298058
035			_a(OCoLC)ocm57131450
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020			_a0826452094
020			_a9780826452092
020			_a0826480373 (pbk.)
020			_a9780826480378 (pbk.)
035			_a(OCoLC)57131450
042			_alccopycat
050	1	4	_aPN 3378 _bB724s 2005
082	0	0	_a809/.924
049			_aGRAL
100	1		_aBooker, Christopher.
245	1	4	_aThe seven basic plots : _bwhy we tell stories / _cby Christopher Booker.
260			_aLondon ; _aNew York : _bContinuum, _c2005.
300			_aviii, 728 p. ; _c24 cm.
504			_aIncludes bibliographical references and indexes.
505	0		_apt. 1: The seven gateways to the underworld. Prologue to part one -- Overcoming the monster -- The monster (II) and the thrilling escape from death -- Rags to riches -- The quest -- Voyage and return -- Comedy -- Comedy (II) : the plot disguised -- Tragedy (I) : the five stages -- Tragedy (II) : the divided self -- Tragedy (III) : the hero as monster -- Rebirth -- The dark power : from shadow into light -- Epilogue to part 1 : the rule of three (the role played in stories by numbers) -- pt. 2: The complete happy ending. Prologue to part two -- The dark figures -- Seeing whole : the feminine and masculine values -- The perfect balance -- The unrealised value -- The archetypal family drama (continued) -- The light figures -- Reaching the goal -- The fatal flaw -- pt. 3: Missing the mark. The ego takes over (I) : enter the dark inversion -- The ego takes over (II) : the dark and sentimental versions -- The ego takes over (III) : quest, voyage and return, comedy -- The ego takes over (IV) : tragedy and rebirth -- Losing the plot : Thomas Hardy, a case history -- Going nowhere : the passive ego : the twentieth-century dead end, from Chekhov to Close encounters -- Why sex and violence? : the active ego : the twentieth-century obsession : from de Sade to The terminator -- Rebellion against "the one" : from Job to Nineteen eighty-four -- The mystery -- The riddle of the sphinx : Oedipus and Hamlet -- pt. 4: Why we tell stories. Telling us who we are : ego versus instinct -- Into the real world : the ruling consciousness -- Of gods and men : reconnecting with "the one" -- The age of Loki : the dismantling of the self -- Epilogue : the light and the shadows on the wall -- Author's personal note -- Glossary of terms.
520			_a[This book] provides [an] answer to the age-old riddle of whether there are only a small number of "basic stories" in the world. Using ... examples, from ancient myths and folk tales, via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling.-Dust jacket.
650		0	_aPlots (Drama, novel, etc.)
650		0	_aLiterature _vStories, plots, etc.
650		4	_aArgumentos (Drama, novela, etc.)
650		4	_aLiteratura _vTemas, motivos, etc.
938			_aBaker & Taylor _bBKTY _c39.95 _d29.96 _i0826452094 _n0003671633 _sactive
938			_aBaker and Taylor _bBTCP _n2005298058
938			_aBaker & Taylor _bBKTY _c26.95 _d20.21 _i0826480373 _n0006530126 _sactive
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