| 000 | 01339cam a2200253 i 4500 | ||
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| 001 | 115825 | ||
| 005 | 20230410130702.0 | ||
| 008 | 140423s19981999nyua 000 0 eng | ||
| 020 | _a9780374526177 | ||
| 020 | _a0374526176 | ||
| 041 | 0 | _aEng | |
| 050 | 1 | 4 |
_aPN 4151 _bP658s 1998 |
| 100 | 1 | _aPinsky, Robert | |
| 245 | 1 | 4 |
_aThe sounds of poetry/ _ba brief guide _cRobert Pinsky |
| 260 |
_aNew York: _bFarrar, Straus and Giroux, _c1998 |
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| 300 |
_a129 p.: _c19 cm |
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| 500 | _aOriginally published: 1998. | ||
| 505 | 0 | _aTheory -- Accent and duration -- Syntax and line -- Technical terms and vocal realities -- Like and unlike sounds -- Blank verse and free verse. | |
| 520 | _aThis work discusses why how a poem sounds when it is spoken is as important as what it says; includes information on how accent, duration, and syntax affect a poem. In it the author presents a manual of proposals on how to read poems, or, more accurately, how to "hear more of what is going on in poems." That distinction, in his view, is vital. He draws on dozens of poems to show how poets use the "technology", the sounds, of poetry to create works of art that are performed in us when we read them aloud. | ||
| 650 | 0 | _aOral interpretation of poetry | |
| 650 | 4 | _aLa interpretación oral de la poesÃa. | |
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_2lcc _cbk |
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| 946 | _adpf | ||
| 999 |
_c78541 _d78541 |
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